Yara Goubran

Maha has always been passionate about cinema, and as a set designer she's become an expert at creating imaginary worlds. Under immense pressure at work, she sights another life on the horizon and begins slipping between realities-one resembling the film set she's designed and the other her supposed real life. As she grows ever more entangled in each, the border between reality and imagination becomes blurred, and she must choose for the first time what she truly desires.

Three women seek justice due to the difficult daily situation which sexual harassment causes in the streets of Cairo, Egypt.

Based on the Ayyat train accident that killed 361 in 2002, this ensemble drama delves into the intense human stories of the passengers in a third-class coach car during the hour and a half before the crash.

Kareem, a divorced young man, seeks the help of his girl friends from college to get back to his wife, Gigi. However, most of them like him, which makes the situation even more complicated as he tries to win Gigi back.

he kept convincing himself that the woman in his bed is always his wife, his lawful partner, the one who wears his ring. Sometimes she acts young, sometimes she grows old, sometimes she becomes soft or rough, thin or fat —that’s her business alone. In fact, that’s the business of the people who can see, and their responsibility alone. They are the ones who have the gift of certainty, because they can tell the difference. As for him, as long as he is deprived of sight, he will remain deprived of certainty because he is blind. And there is no blame on the blind. Or… is there?

Mansour El-Hefny’s wealthy family rule an Upper Egyptian island. Some police officers facilite their arms dealing in exchange for information, and corrupt parliament members use their immunity to par-take in their drug trade.

Many characters of different backgrounds with various problems have their lives intertwine, as they come together through the one thing that unites them; their love of Egypt as Egypt wins the African Cup.

Youssef is a hotshot anesthesiologist who often sleeps in his car for privacy. Laila is the careerist host of a late night radio call-in show. These two members of Cairo's elite, lost souls traveling parallel paths of longing and disconnection, are the principal fish in Yousry Nasrallah's The Aquarium, a meditation on the intellectual capital of the Middle East, now bent under the sway of repression in all its forms.