Olivier Brocheriou

No one is safe when seemingly random killings emerge as a deadly pattern intended to usher in the end of the world. A murder victim with the same DNA as Christ. A serial killer mimicking the deaths of the 12 Apostles. Inspector Niemans and a young, rebellious detective team up with a beautiful expert in religion to crack the case before their elusive suspect completes the cycle of terror, paving the way to an even bigger bloody catastrophe.

François, an ordinary Joe, falls hard for the sublimely beautiful woman who has just picked him up on the train and invited him to spend the weekend with her on the Riviera. But when the lady disappears the next morning and the police drag him in for questioning, François discovers he's been set up to pass for her notorious outlaw husband on the run, Anthony Zimmer. Even though he's been lied to and manipulated, François' life is changed forever and he's ready to give anything - maybe even his life - to hold this mysterious beauty in his arms again.

A teacher, driven to exasperation from insults and insubordination, takes her class hostage.

A group of friends in their thirties meet for a weekend in a mountain chalet for what will be a sort of review of an era in their lives and their relationships.

Hippolyte, the titular oddball, is a far from typical country lawyer. He has been happily married to the woman of his dreams for 15 years, but has an incurable penchant for practical (or rather impractical) jokes.

The premise of four young men out to celebrate the end of their school exams has great promise as comedy material, a promise that is far from realized in this banal, unevenly paced, run-of-the-mill attempt at a supposedly funny story.

This is the story of a small Marseilles football club on the verge of extinction that ends up in an amateur tournament organised during the World Cup (inevitably referred to as "La Mondialette"). It's their opportunity to save the club. The team, made up of temperamental hotheads, will have to dodge all kinds of low blows.

Loudun, October 1947. Leon Besnard and Marie celebrate their eighteenth wedding anniversary with friends and Ady, a former German prisoner they have "adopted". A few days later, Leon dies. Louise, a friend of the couple's and probably Leon's mistress claims that, on his deathbed, the deceased told her that Marie was poisoning him. The whole town soon condemns Marie and she is arrested and sent to jail. Did she really kill Léon as well as twelve other members of her family as she finds herself charged with?

Ils sont cinq tueurs. Francis, le chef, Louis le parano, Victor, l'accro aux series tele, M'sieur, fan de tamagochi et Marchand, dont la femme est la seule certitude. Elle le croit representant en chaussures. Jusqu'au jour ou elle decouvre la verite. Une discussion plus qu'orageuse suit, au cours de laquelle il lui balance un coup de poing d'une telle force qu'elle tombe dans le coma. Marchand est effondre. Il acquiert la conviction que, s'il se rachete, elle se reveillera. Il decide non seulement de raccrocher mais encore de sauver ses hypothetiques victimes.

This French-German-Dutch biopic on the life of 17th century Dutch master Rembrandt van Rijn is told in flashbacks from the point-of-view of the aged artist. Soon after establishing his career as a painter in Amsterdam, he marries the radiant Saskia. As he makes a name for himself, he can soon afford to buy a large house by teaching wealthy aristocrats how to paint. However, the couple's happiness is short-lived; Saskia dies soon after bearing their son, Titus. Crushed, van Rijn seeks comfort first in the arms of his maid Geertje and then with his second wife, Hendrickje, who gives birth to a daughter. In spite of his genius, van Rijn's determinedly eccentric behavior alienates the very members of the elite who were paying his bills. At one point, the artist's home and belongings, including many of his paintings, are seized and sold for humiliatingly low prices in a rigged auction.

Max, a highly talented robotics enthusiast, is in serious financial trouble and risks having the few possessions he has seized by bailiffs. He therefore needs to find a job as quickly as possible. His cousin Toine, a paramedic, comes up with a dishonest but effective scheme: he suggests that Max pretend to be disabled so that he can be hired by a company that only employs people with reduced mobility. To avoid giving himself away, Max learns overnight how to live in a wheelchair. From then on, he begins to understand that the life of a disabled person is far from easy every day. At work, he makes friends and becomes close to Lucia.

A series of thirteen ten-minute short films with a dual theme of comedy and suspense.