B. Saroja Devi

Despite being his daughter, Rani is not allowed to acknowledge Muthiah as her father. She works in his office and falls in love with a co-worker, but Muthiah opposes their relationship.

Adithan, the emperor of Azhagapuri, marries Kumutha, who is the maid of Princess Nandini. Enraged by the same, the princess vows to destroy Kumutha's life and capture the kingdom.

An anthology of short stories centred on a poor university teacher's dilemma, an old woman's life story and a man who is about to marry a woman who is visually impaired.

The story revolves around Selvam, an easygoing youngster who befriends many girls without the intention of marrying any of them.

Believing his wife to be dead, a soldier in the British-Indian army marries another woman and moves on. After few years, he finds out that his ex-wife is still alive and feels miserable.

Amidst a troubled kingdom that currently has no ruler, a revolutionary finds himself to be a lookalike of a prince who was to be crowned king. He takes his place but can he outsmart the real culprit?

Ravana, the king of Lanka gets tricked by various people in the process of attaining ' Athmalinga ' from Shiva.

Chandru (Sivaji Ganesan) has a sister (Rajam) who is married to a handsome Ravi (Balaji). But her in-laws insist on a diamond necklace, without which she cannot join her husband. So, Chandru steals a diamond necklace with a locket and then his sister joins her husband. He and his mother (Shanthakumari) move to Madras where he finds a job in a company owned by a wealthy man (Ranga Rao). He falls in love with his daughter (Saroja Devi). One day, the necklace falls down and the locket opens, revealing a photograph of a young man. The husband and the others at home want to know who the person is. She says she has never seen him. But suspecting the worst, she is sent back to her parental home.

A professional assassin is tasked with the murder of a prominent local judge; however, after a series of failed attempts, he is forced to deal with complications and old relationships arising from his troubled past.

A lover follows his sweetheart to her hometown and becomes embroiled in a murder mystery.

Film starring Randhawa, Saroja Devi B. and Satyajeet

Raja, a young man, is determined to avenge the death of his mother and sister. But, his friend, a law abiding police officer, does not want Raja to take law into his own hands.

The film depicts the greatness of the Goddess Chamundeshwari.

Two siblings turn inseparable after the death of their parents. Things take a turn after they get married to their respective partners.

Rich man's son Rajesh loves Savita, daughter of a teacher he got fired. She helps him excel in college. They marry against his father's wishes. Their friend Jivan creates problems between them, leading to separation.

A man, who loves a blind woman, is put behind bars for a crime he has not committed. She gets her eyesight after an operation and gets engaged to a rich man.

Baskar and Vasanthi are college-mates. A naughty girl creates misunderstanding between them, and an enraged Vasanthi complains to the college dean, who immediately dismisses Baskar. Now left homeless, Baskar however manages to get employed at a tea company, and gets to stay with his close friend Sampath. Vasanthi approaches Baskar and apologises for her cruel act. Baskar forgives her, and they both fall in love. Vasanthi lives with her mother and her elder sister Geetha who is unmarried. Baskar rents the vacant portion of their house. Over time, Vasanthi passes her exams and gets employed.

Guru Bhakthi is a 1984 Kannada drama film directed by K. N. Chandrashekar Sharma.

Two brothers find themselves against each other when the younger one decides to form a union to oppose the unfair means used by the mill owner, whom the elder brother supports.

Vijay, a guy with a careless attitude, gets Selvam, a senior home inmate, to act as his dad for an important business deal. Gradually, both help each other through their own experiences and problems.

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.

Aalayamani is a tale of possessiveness and distrust towards one's partner and the eventual redemption by sacrifice. The story is an essential interplay of feelings and the shadows cast upon by darker feelings of one person and the effect it produces on himself and in his immediate circle of friends and family.

A retelling of Mahabharata through the perspectives of KARNA and DURYODHANA. The film uses dialogue and poetry written in Classical Telugu/ Grandhika Basha.