Igor Mirković

The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.

A girl spends summer break with grandmother and deals with her crush.

Nine short films are connected into one whole, and they describe life in Croatia's capital of Zagreb.

This is a story about a painting portraying a fake political event: on a large-scale oil on canvas Balkan emigrants in Berlin are signing a peace treaty. The are posing to the famous Croatian painter Lovro Artuković, who assigned them the roles of presidents of the until recently waring Balkan countries. There are also UN mediators and international observers, advisors and border designers - 22 people, nine nationalities, all posing for Lovro's canvas, healing war traumas as they do it. This is a story about the making of a painting, about people who refused to go to war, about free-spirited Berlin.

Seventy-year-old teenagers running away from home. They are not running away from their parents, they are running away from the inevitable.

Sex chat-line operators realize that their messages could destroy the life of an unknown client who fell in love with an imaginary woman.

Sitting in a restaurant representing the waiting room to the other world, a tired old man watches the patrons who represent him and his immediate family during the important moments of his life. Moments that have impacted him and the family, and have turned him into a man he was at the end of his life. The old man is forced to look these events in an objective way, observe them from the sidelines, as the judge and jury of a tragic life filled with regret, bitterness, and bad decisions. At a certain point, it becomes clear that the old man has actually died and is watching his own life.

"Croatia 2000 - Who Wants To Be A President" is a feature-length documentary film about dramatic political events that occurred in the period between the death of Croatian president Franjo Tudjman and the victory of Stipe Mesić in the presidential elections. Incessantly following (sometimes with ten cameras) the most influential figures in Croatian political life, cameras witnessed the moments of their biggest battle, their greatest victory and crushing defeat, and days of great strain, passion and political combat.