Isabelle Chesneau

In the middle of an economic crisis, in the shadow of Wall Street, an institution that represents a less well-known American tradition is booming. The Park Slope Food Coop: a cooperative supermarket where all 16,000 members work 3 hours per months to earn the right to buy the best food in New York at incredibly low prices. The success of this cooperative is a bad new for capitalism and aggro-alimentary business, and an opportunity to change the food production and distribution systems. We will see what has become of the Park Slope Food Coop, now a well-rooted institution in the heart of Brooklyn: the way it functions, its hundreds of rules, the diversity and eccentricity of its members. We'll see how the culture that has been created at the coop gives its members daily visceral lessons in democracy, how this could represent a potential change in mentality for Americans faced with increasingly difficult economic times.

In between performance, dance and cerémonies, "The Ferryman” is a choreographic exploration of rituals and animistic roots, a luxurious visualisation of a bewitchment and an exorcism of a man-deer in the borders of the world.

Two masks face each other under a multitude of disturbing glances. A signal is given, begins then a dance, a ritual fight.

BB works as a political cartoonist at a liberal newspaper, his more outrageous efforts duly appreciated but not necessarily published by his boss. He's in love with the boss’ lovely, talented computer-scientist daughter, Kesso. But his choice meets with stiff opposition from his strict Muslim father Karamako, who is the chief of his village as well as imam of Conakry, especially when Kesso becomes pregnant with BB’s child.

This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.

Two years in a clown school. Against all odds and trends, learning how to make people laugh out at the human condition.