Zoltán Huszárik

The loving couple of this grotesque parable parody of the Kádár-regime, Mária and István row to an uninhabited, idyllic island. Soon crazy tent-pitchers swarm to the island, led by an official representative of the regime.

A group of students cope with the disappearance of their friend.

Shreds and fragments of film poetry that make its own place on the edge of a document film. The film is a college of dialogue between nature, abandoned country, and human fancy.

Based on the stories of Hungarian writer Gyula Krúdy, this film is a lush and sensuous depiction of the life, loves and memories of serial seducer Szindbád. As the protagonist looks back on his life, past and present, imagination and reality flow inseparably into one another.

Often called a “film poem” or a “film symphonie” Huszárik’s masterpiece consists of montages of horses from the dawn of time to the modern times from cave paintings to horse races.

Epic recalling the early days of the Republic of the councils.

The director has visited tens of cemeteries. He records monuments above mass graves and memorials that people pile above the ground where the dead bodies lie.

Huszárik's graduation film was another short entitled Groteszk (Grotesque) in 1963 about a strange train voyage of an artist carrying his own picture.

Tivadar Csontváry Kosztka the one-ideaed Hungarian painter was thought to be crazy by his peers, but he eventually became a significant artist.

A comedy about the organisation of agricultural co-operatives. In the village of "Rendes", everybody has already entered the co-op, only the stubborn farmer, Bódog Balogh continues to resist. The leadership plays all their tricks and uses all their efforts, but all in vain.

World wars pick their victims not only from those serving on the front line, women and mothers who have lost husbands and sons in battle also become victims. All that is left of loved ones are yellowing photographs, curling postcards from staging posts and crumbling graves – and a gaping loss shouldered over decades. Yet we rarely consider the grief of those who remained at home. This short by Zoltán Huszárik shares in this mourning.

A short film on Hungarian-born artist and sculptor Amerigo Tot.