T. K. Balachandran

A man falls in love with an ethereal being who struggles to come to terms with human love

Rajan, a radio engineer, is found murdered in Madras during the tense World War II era, amid fears of a Japanese air raid on the city. CID officer Sivanandham investigates the case as each suspect—Rajan's wife, lover, relatives, and neighbors—narrates a different version of events, revealing hidden motives and secrets that lead to the truth.

Based on the Hindu mythological story of Prahlada and his devotion to the god Maha Vishnu.

The film revolves around T.P. Balagopalan (Mohanlal), a middle class post-graduate salaried person, who wants to build himself and also needs to take care of his extended family members. The film went over factors influencing Kerala of the 1980s such as widespread unemployment, poverty, and the poor economy.

Popular music director Sivaprasad takes Ravi under his wing and gives him his big break. But letting Ravi into his family circle has a devastating impact on Sivaprasad's life.

Amidst a troubled kingdom that currently has no ruler, a revolutionary finds himself to be a lookalike of a prince who was to be crowned king. He takes his place but can he outsmart the real culprit?

When Vikraman returns home after completing his studies, he finds out that his brother has illegally acquired all the property leaving his widowed sister in poverty and decides to set things right.

The respectable college teacher Rajan (Nazir) marries Sindhu (Sheela), the orphaned inmate of a home for destitutes. The feudal conservative hypocrisies of the hero’s family are graphically criticised: Rajan’s cousin Chandran admits he once had sex with Sindhu, and Rajan’s snooty brother, the doctor Jayadev, fathered Sindhu’s daughter Bindu. Sindhu further confesses on her wedding night that she suffers from venereal disease.