Natacha Amal

After his wife dies, middle-aged businessman Philip Emmenthal, at the prompting of his playboy son Storey, populates his Geneva villa with eight-and-a-half concubines. Three are from Kyoto, where Storey manages Pachinco palaces. Each has a distinctive personality: a nun, a child bearer, a gambler, a student of Kabuki, a horsewoman with a pet pig, a maid. As a year passes, the women begin asserting their own power.

French TV star Nagui, described by Variety as "popular for his lowbrow-Letterman approach," portrays Zak, who learns about "the curse of Onan" experienced by males in his family. If Zak does not impregnate a woman before his 33rd birthday, the joys of sex evaporate forever. However, Zak's interest in married women creates a roadblock. Even his current girlfriend, art auctioneer Florence (Cristiana Reali) is a married mother of triplets. So Zak's rabbi cousin Joseph (Thomas Langmann) fixes him up with an attractive supermodel (Joanna Rhodes). It's a race against time before permanent impotence strikes.

Two brothers, one very successful and the other not, switch places with each other, exchanging jobs and wives.

Three very different adolescent girls team up to take revenge on men until one day it is no longer a game.

Tunisia, early thirties, the young and plump Bajou, lives modestly with his parents. One day after a flood, his father suddenly disappears. Thanks to his uncle and his cousin Marcel, he moves with his mother Oumi to work for the wealthy landowner Mr. Scali, a talkative and boastful man.

A teacher uses new methods to captivate his audience. Some kids take it too far, some colleagues are worried traditional ways are going to be lost... but eventually, everything turns out OK.

In Parma, conversing with a CSM judge from Rome, the judge Bocchi tells what intrigues are hidden behind the beautiful and charming facade of the city, referring in detail to the latest and most 'chatted episode. It begins when Bocchi interrogates Giulio, a handsome and unassuming young man, for reasons of strangling, and invites him to collaborate with justice.