Pamela Moiseiwitsch

When a nightclub owner buys a derelict dolphinarium, he and a young woman seem to be haunted by the ghost of Buddy Boy, the star attraction. Created as an episode of Nigel Kneale's "Beasts" horror anthology miniseries.

A 30-year-old man, who has been in a coma since birth, is finally restored to consciousness by a breakthrough brain operation. Although physically an adult, the man is "reborn" in the eye of an infant; the doctors caring for him must teach him to walk, talk and prepare for life in the outside world. Tension builds as he escapes from the hospital, wanders among people who do not realize his identity, and is hunted by the police.

Receptionist Anne’s new relationship with nascent writer Peter is opening her eyes to a new lifestyle, one far removed from her comfortable middle-class background.

In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.

A suburban couple are held under siege by a pack of frighteningly intelligent rats.

Benedick and Beatrice fight their merry war of words. But when Beatrice's friend, Hero, is humiliatingly jilted by Benedick's best friend, Claudio, Benedick has to choose which side he's on. But unknown to all, Claudio's been tricked by the bastard Don John, and (unfortunately), it's up to Dogberry and Verges to solve the case.

Three alternative comedians get involved in a pyramid-selling organization, Pathway, in order to finance their act. They gain great success by deploying their skills as entertainers, only to eventually discover the sinister purpose behind the Pathway organization.

Murder mystery in a boarding house based on a Wilkie Collins story.

Alan and Sylvia fall in love and Alan gains a renewed sense of purpose. He begins to hope for an eventual release on licence. However both he and Sylvia have to face the fact that, for the foreseeable future, they cannot enjoy any physical intimacy. They decide to treat their affair as a long Victorian courtship.

Reprising the television series roles which first made them household names, Richard Beckinsale and Paula Wilcox star as Geoffrey Scrimshaw and Beryl Battersby, a hesitant, inexperienced, young couple attempting to negotiate the sexual minefield of the ‘permissive’ society. This big-screen transfer of Jack Rosenthal’s hugely likeable sitcom sees old-fashioned girl Beryl continuing to slap down the advances of her frustrated boyfriend, whose clumsy attempts to initiate ‘Percy Filth’ suggest he’s not quite up to speed himself! Like everyone else, Geoffrey and Beryl want to fall in love – or they think they do; like everyone else, since Adam and Eve. But Adam and Eve didn’t live in Manchester in 1972…

A BBC television anthology series featuring productions of classic and contemporary stage plays usually broadcast on BBC1. Each production featured a different work, often using prominent British stage actors in the leading roles. The series was transmitted from October 1965 to September 1983.

Van der Valk is a British television series that was produced by Thames Television for the ITV network. It starred Barry Foster in the title role as Dutch detective Commissaris "Piet" van der Valk. Based on the characters and atmosphere of the novels of Nicolas Freeling, the first series was shown in 1972.

Beasts is a series of six television plays by Manx writer Nigel Kneale, unconnected save for a bestial horror theme, made by ATV for ITV in the United Kingdom and broadcast in 1976. The series avoids typical monster horror clichès, moreso focusing on psychological and supernatural themes.

Bird of Prey is a British techno-thriller television serial written by Ron Hutchinson and produced by Michael Wearing and Bernard Krichefski for the BBC in 1982. From its video game-inspired opening titles to its pervasive electronic music track, Bird of Prey went to great lengths to demonstrate its credentials as 'a thriller for the electronic age'. These elements, together with a clever and complex plot that combines a breathless fascination with the still-young field of computing with pan-European fraud, international terrorism, rogue intelligence operatives and organised crime, link it firmly to the early 1980s, expressing that era's growing anxieties about the burgeoning 'Eurocracy'.