Kathleen Beeler

As U.S. troops storm the beaches of Normandy, three brothers lie dead on the battlefield, with a fourth trapped behind enemy lines. Ranger captain John Miller and seven men are tasked with penetrating German-held territory and bringing the boy home.

A new technologically-superior Soviet nuclear sub, the Red October, is heading for the U.S. coast under the command of Captain Marko Ramius. The American government thinks Ramius is planning to attack. Lone CIA analyst Jack Ryan has a different idea: he thinks Ramius is planning to defect, but he has only a few hours to find him and prove it - because the entire Russian naval and air commands are trying to find Ramius, too. The hunt is on!

Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.

The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.

After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.

Two cabbies search San Francisco's Chinatown for a mysterious character who has disappeared with their $4000. Their quest leads them on a humorous, if mundane, journey which illuminates the many problems experienced by Chinese-Americans trying to assimilate into contemporary American society.

Portraying the Vietnamese immigrant experience through Kieu, A Tale of Love follows the quest of a woman in love with Love. Voyeurism runs through the history of narrative and is here one of the threads that structure the film. Playing with the fiction of love in love stories, the film invites a different experience of cinema with non-naturalistic acting and layered interaction of performed reality, memory and imagination.

A photographer and mother tries to balance career and motherhood.

Nathaniel Pickman Wingate has opened a gateway to another dimension using equations and equipment in his basement laboratory. His wife, Nancy, wants him to get ready for his own birthday party. He wants his son Sam to help him. Sam is up in his room looking at pictures of Jasmine on his computer, and a poster of her arrives which he puts in his closet. Although it is Nathan's birthday, the family is enthralled by a visit from Cousin Desmon, who is now a count in Liechtenstein. While Sam is away getting equipment for his father with his friend Alex, his father gets sucked into the other dimension, and a creature from the parallel universe escapes, pursued by another. The first temporarily traps the second with its spit, attacks Desmon, and becomes a duplicate, absorning his thoughts from the unconscious body. The other manages to get free, and unable to find a human to mimic, finds the poster of Jasmine...

"MORGAN’S CAKE is the story of a young man (Morgan Schmidt-Feng) about to turn 18, and all the problems that are set to befall him. His girlfriend is pregnant, he’s just lost his job, his mother is deserting him for a career move to New York City, and his divorced dad (Willie Boy Walker) can barely afford the small office space in which they live. Morgan’s most pressing problem is whether or not to register for the draft, and Walker, in a bravura performance, shares a real-life story of how he avoided military service in the late 1960’s. After a series of fateful encounters, Morgan finally saves his sanity by baking a cake." (from Fandor.com)

Michael Mikaele is a young man in a catatonic state living in a psychiatric ward where his doctor thinks her sympathies for him justify raping him. It's all part of his mad world, and we see what brought him there. He's an artist from a broken home, working for eight years at a job that he loathes, drawing pictures from sayings on sexually suggestive T-shirts. Mike's unsympathetic boss, Bill, plays bad motivational tapes over the P.A., makes Mike's girlfriend (another employee) handle him during office hours, which is espied by co-worker Joni, and refuses to let Mike have the rest of the day off even though he is clearly ill. He ties together T-shirts out the bathroom window to escape, and befriends a man, Rod, whom, unbeknownst to him, is his girlfriends father. He, however, hallucinates that the cinematographer is walking around the apartment in nothing but a towel...

Emerald Cities, completing the trilogy, is a story about a young woman who runs off from her Death Valley home to seek her fortune. Her drunken dad still stuck in his Santa suit from the local Christmas pagent, follows and soon comes in contact with the "new dark ages" of 1984. Juxtapositions of "on-the street" interviews (by Willie Boy Walker), punk performances by bands Flipper and The Mutants, TV shows of past-life hypnotism and nuclear destruction, and a crazed ex-con all finally intermix with the characters' own sagas.

The film evolves around questions of identity, popular memory and culture. While focusing on aspects of Vietnamese reality as seen through the lives and history of women resistance in Vietnam and in the U.S, it raises questions on the politics of interviewing and documenting.

Night Passage is a digital film on friendship and death. Made in homage to Miyazawa Kenji's classic novel, Milky Way Railroad, the story evolves around the spiritual journey of a young woman, in the company of her best friend and a little boy, into a world of rich in-between realities. Their venture into and out of the land of "awakened dreams" occurs during a long ride on a night train. The filmmaker elegantly depicts each encounter in two-dimensional space with a unique artistic gesture and ingeniously frames the passage as a series of rhythmic image sequensces as seen through the window of a train.