Vimukthi Jayasundara

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

In a forest, near a border, a young Bengali and a European soldier attempt to get the better of one another. In Calcutta, Rahul, an architect who had gone off to build a career in Dubai, begins a huge construction site. He is reunited with his girlfriend, Paoli, who has long awaited his homecoming, living alone far from her family. Both set out to find Rahul's brother, who is said to have gone mad and who lives in the forest and sleeps in the trees.

Scientist Anandi visits Hanuman Island to perform the last rites ritual for her father. She is immediately placed in quarantine in a remote hotel due to a pandemic caused by a machine-dominant world. When a mysterious star starts following her, she escapes and seeks refuge with a mother and her transgender daughter.

In a 1990s Himalayan town, teacher Barkha, whose husband serves at the border, develops feelings for enigmatic newcomer Manik amid a community of waiting women where silence and local myths prevail.

In this short comedy, Luis Vaz de Camoes, the greatest Portuguese renaissance poet, struggles creatively while engaging in a hedonistic, coprophagic, and drug addled lifestyle. The film follows the poet, and his lover Dinamene, as he writes his masterpiece, the epic poem "Os Lusiadas." He travels from the cacophony of the Indic jungles, surrounded by allegorical elephants and rhyming macaques, to the frontier of Heaven and Hell, where he is confronted by his fantasy: fame and immortality.

A pick-up truck driver leaves Kathmandu airport for a two-day drive with a delivery to a remote mountain village. On the high road, a solitary figure slowly makes his way, wheeling a small red suitcase toward the same village.

Three Sri Lankan filmmakers renowned for their internationally acclaimed films based on the Sri Lankan civil war, join in to make one film to express their views on post-war reality.

A Buddhist monk on a spiritual quest. A Student trying to test his limits. An organ dealer growing his business. A surgeon who heals by day and rapes women at night.

A home-guard serviceman assigned the task of standing watch over a barren no-man's-land begins to experience an existential crisis after years of lonely service.

The young man fell from the sky. Communication relay burns. Flee from the city and its commotion, return to nature. Become part of another story. That of the legend of the prince. In the hope of a love, hiding behind the hollow in a tree. Nothing magic is improbable. What happened yesterday, may happen again tomorrow.

In one of the most beautiful places on the planet, a father wants his young son to witness his last breath to arrive at a deeper understanding of life.

Two lovers, Yoga and Parvathi, meet on the battlefield of the Sri Lankan civil war. As the Liberation Tigers of Tamil Eelam attack the Sri Lankan army and tighten their grip on the Tamil people, Yoga and Parvathi struggle with feelings for each other and their own commitments to the LTTE. Parvathi's family is relocated to a concentration camp and Yoga is sent on a mission to Colombo by a jealous LTTE commander. But they soon meet again in battle and Parvathi becomes pregnant with Yoga's child. In the final days of the war, the Sri Lankan army closes in on the LTTE and rescues the Tamil refugees, and the lovers desperately flee the army and the LTTE for the sake of their baby.

Two women live in a decaying ancestral house that mirrors their emotional stagnation. Grappling with trauma, both find different ways to cope and escape from the pain, until they stumble upon something that might change their lives forever.