Lidia Zonn

A communist party control committee interrogates a worker and party activist who is to be excluded from the party.

Impressionistic study of the fate of a stray dog, trying to avoid the results of human indifference and cruelty.

Romek, an idealistc 19-year-old boy, takes a job as a tailor in the costume department of a Warsaw theater company where his new colleague, Sowa, is pressured to make a costume for an overbearing soloist.

A film showing the social mood and tensions in the period between the end of the strikes in August 1980 and the registration of the Solidarity Trade Union in November 1980.

The movie depicts the story of a young Mazurian boy named Mietek, who crosses the line between childhood and adulthood . He stands in close contact with nature; he decoys birds and feeds them, he catches fish. But above all he is attracted to the work of the woodcutters. He watches them as they fell the trees and he helps them load the timber onto rafts that float down the river and through the sluice-gates. Finally, he joins the raftsmen and when he receives his first salary and gives a girl his first bashful look, the time has come for him to say goodbye to his childhood.

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

Pigeon breeders (men mostly) are a special kind of enthusiasts. Their hobby includes an element of competition – a long-distance race of carrier pigeons.

Kazimierz Karabasz visits circles of amateur photographers in small towns (most of the photographs were taken in Włodawa) and listens to their stories about the town, its inhabitants and photographing their everyday life. The young people, who are active at community centres, show the documentarian what role photography plays in their lives and how it influences their perception of their surroundings: places and people. Photography thus becomes a school for looking, seeing and developing sensitivity. As it turns out, it is not always the form and workshop that are the most important.