Lou Fleischer

After wrecking Popeye's ship and stealing away Olive Oyl, hero of Arabic legend Sindbad decides to test him and his ever-resilient new rival's strength in order to prove their supremacy as the "most remarkable, extraordinary fella" of Sindbad's menagerie island.

Superman battles a criminal mastermind and his robot army.

The Fleischer's Talkartoon short that debuted Betty Boop.

Popeye the Sailor, accompanied by Olive Oyl and Wimpy, is dispatched to stop the dreaded bandit Abu Hassan and his force of forty thieves.

Olive tells Popeye and Bluto that she loves a man in a uniform, so they try to sign up at the recruiting station - that can only take one of them.

Popeye applies for a lifeguard job when he sees Olive in the pool, but Bluto also wants the job (and Olive). The manager, Wimpy, asks them to demonstrate their skills in a contest. Popeye does well, until Bluto demonstrates lifesaving and first aid on him.

'Popito' and 'Olivita' are a dance team, performing at Wimpy's Cafe. Bluto is jealous, and heckles and otherwise disrupts the act.

Gabby is a servant in a castle and is required to do a little housework.

Popeye is running a women's gymnasium next door to Bluto's cabaret. Seeing Popeye's greater success with women, Bluto dresses in drag and challenges Popeye to various feats of strength.

Popeye and Olive are taking a ferry run by Bluto. When they find out the fare, they decide, with Wimpy, to build a bridge. Bluto does what he can to sabotage this plan - until spinach time, of course.

Gabby goes camping with the Mayor.

A young horse says hi to little donkey Spunky. But the horse's mother pulls him away, saying we don't associate with that kind. Spunky makes a few more overtures, and eventually they set off on a chase, running across a bull from time to time. The horse stops to eat a lot of apples and drink far too much water; this leaves him too bloated to move much at all. The two continue to anger the bull, which gives chase; Spunky saves the colt, and they all live in harmony.

When the lights of the city go dim, all of the kitties are let outdoors to prowl. Holding a meeting, they come up with a plan to rid themselves of a neighboring dog. The cats proceed to torment him, chase him with a water hose, and try feeding him.

A hurdy-gurdy man goes by Betty Boop's house; she wants to buy his monkey, which causes plenty of trouble for Pudgy the Pup.

Popeye, Olive, and Wimpy stumble across a ghost ship. They climb aboard, and it proceeds to scare them in various ways.

The old lady who lives in a shoe has a bit of trouble with her gaggle of children. They won't eat their porridge, won't brush their teeth or comb their hair. As soon as their mother's in bed, they launch a wild party, playing musical instruments and doing a swinging rendition of Smiley Burnette's classic "Mama Don't Allow No Music Playing Round Here." They then have a massive pillow fight until the old woman wakes up.

Popeye skates over to Olive's house to give her a Christmas present: ice skates of her own. While he's teaching her, Bluto skates up and gets fresh; of course, Popeye fights him. When Olive rejects Bluto again, he sends her careening on an ice floe towards a waterfall.

Betty Boop, sleepless on a freezing night, builds a nice hot fire which proves too much of a good thing; in a dream she visits Hell, sings "Hell's Bells," and makes Hell freeze over!

Gabby is forced to take care of a strange animal called a Kango.

After drawing Betty Boop, Max Fleischer (live-action) leaves the studio; Betty and Koko try amateur dentistry, releasing enough laughing gas to convulse the 'real world.'

Wimpy is working for Bluto in his diner and trying to filch all the food he can eat. Popeye comes in and orders roast duck, but Wimpy grabs the drumsticks, then coats it with pepper sauce. Popeye walks out in anger and Bluto comes after him. Wimpy takes advantage of the resulting battle to load up on hamburgers.

Gabby teaches a young boy how to fish, even though the boy was doing much better without him.

Sailor Bimbo (as Barnacle Bill) jumps ship with his little black book and visits his lady friend, Betty Boop (with dog's ears).

The theatrical run of Popeye the Sailor from 1933 to 1957 represents one of the most enduring and influential eras in American animation history. Spanning 231 shorts, this golden age of Popeye evolved across two distinct production studios: the boundary-pushing, gritty Fleischer Studios (1933–1942) and the more formulaic, brightly colored Famous Studios (1942–1957). Together, they transformed E.C. Segar’s comic strip character into a global cinematic icon, establishing formulas and animation techniques that altered the medium forever.