Mohammadali Keshavarz

When the actor in a scene for his film Life And Nothing More… has to quit, a film director casts another man for the part. However, complications arise since the man and the woman who was cast for the scene know each other.

This epic adventure-drama based on James Michener's best-selling novel concerns a young American embassy official who is sent into the Middle-Eastern desert to find the missing daughter of a US Senator. The young woman has left her husband, a Colonel in the Shadom - she was his number two wife - and has opted for the lifestyle of a nomadic tribe. When the diplomat locates the girl he joins the caravan and attempts to persuade the girl to return.

Well-educated and humble teacher Mr Hekmati arrives in a new city and at a new job in the pre-revolutionary Iran. He falls in love with a hardworking underprivileged young woman who nurses her elderly mother and raises her young brother.

The first lady of a noble house has died and now there is conflict between the remainders for taking over her heritage.

Morteza Olfat is an ordinary employee who has lots of problems in his life. One day, he happens to find fifty thousand dollars. He says nothing to anyone and tries to exchange the cash.

Adapted from a story in 1001 Nights, the story concerns the death of an actor and the comical incidents that occur as different people come into possession of, and attempt to dispose of, his body.

Hashem is a cab driver who finds an infant child in the back seat of his cab one night after he gives a ride to a young woman. Hashem and his girlfriend, Taji, try to cope with this unwanted child. Hashem insists on getting rid of the child, Taji on keeping him.

A spy has entered Iran under the guise of a photographer and is trying to gather information about the location where the hostages are being held.

khosrow meets a woman who is running from her uncle, cousin and brother...

A group of Iranian classical musicians in the Ghajar era try to release their first record, which takes them on a journey to France.

Documentary about Iranian actor Jamshid Mashayekhi (Persian: جمشید مشایخی, November 26, 1934 – April 2, 2019).

The film follows a character known as The Cinematographer, who is looking for someone called Atieh (Future). As he calls out to her, he is magically transported back in time from the early twentieth century to the reign of Naser al-Din Shah in 19th century Iran. Captured by the Shah's guards, he shows films from the history of Iranian cinema to the Shah. The Shah is entranced and eagerly shows his family the apparently magical medium.

During Iranian revolution some prisoners manage to escape the prison. In a border village they meet a man Yaqub who wants to convince them not to escape. They first mocking at him not ...

The movie chronicles the life of the famous painter Kamololmolk, and his relationship with various kings.

A theater directed by Mohammad Yaghoubi

Mirza Norooz can't get rid of his worn-out shoes which bring him bad luck, no matter what he does.

Asgar and Qader have been friends since childhood. Hussein General, a man of bad character who leads the local teenagers in a fight with the teenagers of Qala Sangi neighborhood, has dedicated his life to their happiness. Asgar and Qader both loved Zainab; but Zainab is married to Asgar. Asgar, who is suspicious of his wife's affairs, constantly annoys Hussein General and Qader. One day, while picking date clusters from a palm tree, while thinking about his wife's relationship with Qader, he falls from the top of the palm tree and loses his sight. Zainab and Qader take care of him; but Asgar's sense of pessimism and suspicion towards his wife and Qader increases. Asgar drags Qader to the palm grove and while he is praying, he cuts him to pieces with a turban and throws his body into the sea. General Hussein, who witnesses the incident, informs Zeinab; but he, unable to allay his wife's insane suspicion, kindly invites the local waterman to his house for lunch.

The film progresses along two distinct but interwoven series of events. The first series involves young members of a family who have gathered round their old mother and revive their common childhood memories. the second line focuses on the old woman's preparations for her last journey and her joyous cooperation in arranging for the ceremonies that are to be observed after her death.

The story of a simple fellow from a small town who travels to Tehran to find a suitable girl for marriage.

Sadegh and his wife manage a tea house in the way between Ahvaz and Andimeshk south of Iran. One night in his absence a friend of him who is a truck driver comes to his place and the wife is getting killed. The police are after the murderer but Sadegh who seeks revenge begins to kill the truck drivers on the way. This put him in fronting the law.

A docudrama about art and creativity; based on modern art gallery in Tehran and its founder Jazeh Tabatabai.

As Abdollah prepares to get married to his long-time love, he hears calls for help during his wedding and leaves the ceremony for an adventure to find the truth.

In a country where readership is low, Nahid Rezaei is surprised to see constant new titles in bookshops, most of them being translations of foreign texts. She begins to narrate the tale of translation in Iran: starting in the ancient era and ending with translators of today. Along the way she interviews key figures in Iran's modern translation history.

Sarbedaran is a historic series based on the revolt of the 'Sarbedar's of Khorasan, led by Sheykh Hasan Jowri against the Mongol Conquest of Iran. The director of this series is Mohammad Ali Najafi and it is written co-directed by Keyhan Rahgozar. Parts of this series also refer to the previous leader and the pioneer of the movement, Sheykh Khalifa of Mazandaran.

Hezar-Dastan was an Iranian epic historical drama television series from 1987, developed and directed by Ali Hatami. Hezar Dastan is considered one of the most important and most influential works of art in the history of Islamic Republic of Iran Broadcasting. The production of the show took almost 8 years, starting in 1979 and ending in 1987, during which Hatami established a large set to represent Tehran in both Qajar dynasty and World War II, retroactively creating Iran's first movie studio and backlot (named Ghazali Cinema Town). The show tells the story of Reza Khoshnevis (also known as Reza Tofangchi), and his life and entanglement with corruption in government, and trying to correct it using not conventional means. The story is split into two section and it features Iran during the turbulent times of the latter days of Qajar Dynasty and during the events of World War II and Anglo-Soviet invasion of Iran.

An uproarious adoption of a popular novel by Iraj Pezeshkzad set in and around the family compound in early 1940s Tehran, marvelously rich in personality and incident. The title character, so-called because of his constant invocation of the general, rules over a wonderfully complex extended family. A hilarious series which makes fun of just about everything.

One evening in a grand royal palace, a frivolous and grotesque sultan has a nightmare. The great diviner concludes that on a full moon evening arrows of doom will fall on his head. Frightened, the sultan feels discomfort and falls ill in bed...