George Weiss

Glen doesn't dare tell his fiancée Barbara that he is a transvestite known as Glenda; in addition, Alan is undergoing medical treatment to become a woman named Anne; both stories are told by a psychiatrist.

A gangster hooks gangs of young women on drugs and has them commit robberies and prostitution.

Audiences were lured by promises of pill-popping Sixties sexual freedom, but instead got a creepy British lecturer droning about birth control - before plunging viewers into recycled footage from Test Tube Babies (1948), endin in a surreal color sequence where a man develops facial sores and a green hand requiring doctors to extract what appears to be Silly Putty from his chest!

Finally! A film that dares to explore the intricate complexities and subtle social structure of Nudist Life in the early sixties!

Innocent youth trapped in a hopped-up hell.

A happily married couple has been trying to have a baby with no luck. They discover that the husband is sterile. Their family doctor suggests that they think about artificial insemination, which at the time was considered a scandalous choice.

This exploitation classic purports to expose the secrets of the 1960s lesbian underworld.

Scalli is a gangster who manages women wrestlers as a front for his bookmaking, drug, and prostitution rackets. He trusts the wrong people and ends up trying to run away from both the police and mysterious mob boss Mr. Big, to whom he owes $35,000.

Two American soldiers, locked up in a Parisian jail, recount their night of mishaps involving ladies of the evening, strip tease, and infidelity.

This is an entire burlesque show, complete with a live band. Five strippers strut their stuff in between bawdy songs and sexy jokes delivered by burlesque singers and comedians.

In this third installment of the "Olga" series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga's House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it's difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.

Ruthless narcotics dealer and white slavery ring leader Olga keeps her harem of girls in line by hooking them on addictive drugs. Olga suspects an informant in their midst and uses various brutal methods of torture to weed out the squealer. Meanwhile, several of Olga's girls plot their revenge against Olga for her continual sadistic treatment of them.

Bagdad after Midnite

The beautiful, brutal Olga procures prostitutes and pushes heroin for the syndicate, confining and torturing her pretty victims in a private dungeon located in New York City's sinister Chinatown.

This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.

Sammy, a zookeeper, prepares to go on a vacation with his friend. He starts to tell his friend about what a good time he had on his last vacation, visiting alligator farms and nudist camps, which are shown in flashbacks.

A gangster who operates a sleazy dance hall uses a sadistic bodyguard to keep his girls afraid and his customers in line.

Two knuckleheads discover a rinky-dink machine that can “see all over the world.”

The film revolves a supposedly pivotal moment in Brown's life – his decision to quit accountancy in 1950s Glasgow for comedy after the death of his uncle Harry, a regular character in his routines 'who began with socialism, drifted into Buddhism and ended up with rheumatism'.