Sándor Gáspár

This is a rough, fragmented drama about a couple whose 13-year-old son committed suicide without an apparent reason. The film portrays the day after the funeral and the helpless, abandoned mourning of the parents.

The film takes place the Budapest Amusement Park in 1919, just before and during the proletarian dictatorship. After the outbreak of the proletarian dictatorship, both the former employee who returns from Russian captivity as a communist and the domestic philosopher spreading Marxists ideology regard the nationalisation of the Fun Fair vitally urgent. In this, the daughter of the owner of Orpheum Blau, Ilona, assisting most enthusiastically.

This film tells the story of a few uneventful days in the life of six pals. Lali, a great fan of America, owns a sandwich stand on the side of the road, called The Glass Tiger. Gaben pinches cars; Fox is a petty swindler; Sanyi a half-wit homeless; Coco can't shut up about getting some dough and going to America; Slimmy keeps playing the saxophone, despite the others' frayed nerves. Gaben talks Lali into buying an old Chevrolet Impala, the real American dream. After the long escapade of getting the car, Lali doesn't even get the chance to try the Chevvy out, because a truck completely demolishes it. Fox in the meantime is looking excitedly for the "Wreck", what he has been trying to sell for big money. But Lali has sold what he thought to be scrap, not good for anything. Fox is threatened by some tough guys to bring it back or pay up. He has to get money at all costs...

Stephen, living in a troubled family, breaks into a grocery store and wreaks vandalism. He is sent to a reform school. Later he works in a cleaning brigade and accidentally meets József Draskóczi, who denounced him. Draskóczi lives in an unloving, troubled atmosphere with his barren daughter and cynical son-in-law, ascetic about his youthful communist beliefs. He feels responsible for Istvan's fate, offering him a human voice and love. Despite his daughter's hysterical jealousy, he sends Istvan to school and then, through his previous connections, provides him with an apartment...

The story setup in the late Communist era. Two school boys are best friends. One's Father is a mighty communist party secretary, the other is an anti-communist rebel.

The sad tale of a proletarian malcontent ensconced in a monstrously depressing housing project who—even less effectually than the heroes of Bald-Dog Rock—attempts to change his life. Purchasing a power drill and slinging it across his shoulder like the anti-hero of a spaghetti western, he turns entrepreneur, boring holes in his neighbors’ walls so that they can hang mirrors or pictures.

Contemporary genre-painting of a Hungarian "middle class" family of four. The scene is the villa apartment almost finished, where the tourist guide mother, father who also works for the second economy and the lonely big girl preparing for her maturity examination turn up alternatively. It is only the teen-ager boy who really "lives" in this place: instead of attending school he stays home all day and observes the life of the surrounding by a self-made periscope. Internal communication of the family is accomplished in writing, on the pin-up board in the kitchen.

"Colossal Sensation!" sees the history of Hungary in the 20th century through the eyes of twin circus clowns. For them, as for all Hungarians, it is a story of feast and famine, nostalgia and regret, suffering and triumph, although not all Hungarians had the misfortune (or was it the opportunity?) to destroy a wristwatch personally given to the Hungarian Party Leader by Stalin himself. - Roger Ebert