Anita Blond

Paris, France, 2001. Octave Parango, a young advertiser working at the Ross & Witchcraft advertising agency, lives a suicidal existence, ruled by cynicism, irresponsibility and debauchery. The obstacles he will encounter in developing a campaign for a new yogurt brand will force him to face the meaning of his work and the way he manages his relationship with those who orbit around his egotistic lifestyle.

A wayward young man finds himself involved with two mysterious people of a previous generation. After an affair with the married Hélène, the young man tries to escape her obsessions on a road trip with Serge, a taciturn relic of the 60s.

Sister Rachel Taylor of Boise, Idaho is an eager young missionary of the LDS Church who has been sent on an 18-month long mission to Austria. Rachel finds herself having a hard time adjusting to her new cultural surroundings in the foreign country. Due to differences in opinion, she is also unable to get along with the companion missionary that was assigned to her by the church.

Translated as The Pleasures of Fetishism, the film eschews a traditional, narrative-driven storyline in favor of a vignette-style structure. It functions primarily as a showcase of various fetishistic fantasies, centering heavily on the aesthetic and performative aspects of underground erotic culture. The movie guides viewers through a series of intimate scenarios tailored to specific fetishes, emphasizing atmospheric settings and stylized encounters over dramatic plot development. The feature is highly characteristic of the late-90s European adult cinema wave, relying heavily on the star power of its leading actresses—particularly Anita Blond and Mona Lisa, who were highly popular in the Italian and international adult entertainment markets at the time. Because of its explicit nature and genre, the film is categorized strictly as an adult entertainment title meant for mature audiences.