Vanessa Brown

Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.

In 1900, young widow Lucy Muir learns that her seaside cottage is haunted and forms a unique relationship with the ghost.

The Lionians, a tribe of lion worshippers, make a desperate attempt to find a cure for the mysterious disease plaguing their village. Their Chief decides to kidnap Jane and Lola, a half-breed nurse, in order to help repopulate his civilization. Tarzan must rescue them while fending off blowgun attacks from people called the Waddies who are disguised as bushes.

In 1840s New York, the uneventful and boring days of the daughter of a wealthy doctor come to an end when she meets a dashing poorer man — who may or may not be after her inheritance.

Wallace Beery, in his final film, plays a bandit in this period drama set in Colonial America.

An Irish rascal and inveterate gambler uses his considerable skills at the gaming tables of New Orleans to become fabulously rich.

Bostonites George and Catherine Apley live a proper life in a social circle. However, their daughter Eleanor's love for Howard Boulton and their son John's union with Myrtle threatens their home.

In this chronicle of a vaudeville family, Myrtle McKinley (class of 1900) goes to San Francisco to attend business school, but ends up in a chorus line. Soon, star Frank Burt notices her talent, hires her for a "two-act", then marries her. Incidents of the marriage and the growing pains of eldest daughter Miriam are followed, interspersed with nostalgic musical numbers.

A beautiful young concert pianist is torn between her attraction to her arrogant but brilliant maestro and her love for a farm boy she left back home.

Anger stemming from being abused as a child drives an alcoholic's daughter to kill as an adult.

A group of social misfits at a summer camp for boys run away to save penned-in buffaloes from a rifle club's slaughter.

A college basketball star collaborrates with organized crime and becomes involved in 'point shaving.' A sportswriter tries to get him back on the right track.

A woman reminisces about her teenage years in the 1920s, when she fell in love with her teacher.

The teens of a defense-plant town hop on the road to juvenile delinquency while their parents are busy with the war.

An eccentric Los Angeles dowager decides to fight back when her two greedy daughters attempt to have her declared legally insane.

Elnora Comstock lives on the edge of a great swamp and collects butterflies to sell in order to go to high school and pay for violin lessons. Her mother, Kate Comstock, hates her as she blames the girl for the father's death as he drowned in a quagmire on the way home the night the girl was born. The years-late revelation that the husband had been off courting a neighbor woman that night brings an attitude adjustment to the mother.

When a recently deceased playboy gets to heaven and is granted one wish--granted to all newcomers--he requests that he be able to see the reactions of three husbands, with whom he regularly played poker, to a letter he left each of them claiming to have had an affair with each's wife.

A boxer, in Mexico, sets out to avenge the murder of his family by using the money from his winnings to purchase weapons.

The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

An unassuming mystery writer turned sleuth uses her professional insight to help solve real-life homicide cases.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

The story of Kevin Arnold facing the trials and tribulations of youth while growing up during the 1960s and 70s. Told through narration from an adult Kevin, Kevin faces the difficulties of maintaining relationships and friendships on his enthralling journey into adulthood.

The Philco Television Playhouse is an American anthology series that was broadcast live on NBC from 1948 to 1955. Produced by Fred Coe, the series was sponsored by Philco. It was one of the most respected dramatic shows of the Golden Age of Television, winning a 1954 Peabody Award and receiving eight Emmy nominations between 1951 and 1956.

Climax! is an American anthology series that aired on CBS from 1954 to 1958. The series was hosted by William Lundigan and later co-hosted by Mary Costa. It was one of the few CBS programs of that era to be broadcast in color. Many of the episodes were performed and broadcast live.

Robert Montgomery Presents is an American dramatic television series which was produced by NBC from January 30, 1950 until June 24, 1957. The live show had several sponsors during its seven-year run, and the title was altered to feature the sponsor, usually Lucky Strike cigarettes, for example, Robert Montgomery Presents Your Lucky Strike Theater, ....The Johnson's Wax Program, and so on.

This 1980s revival of the classic sci-fi series features a similar style to the original anthology series. Each episode tells a tale (sometimes two or three) rooted in horror or suspense, often with a surprising twist at the end. Episodes usually feature elements of drama and comedy.

Alcoa Presents: One Step Beyond is an American anthology series that dramatized purportedly real-life supernatural and paranormal experiences. The series was hosted by John Newland and ran for three seasons on ABC from January 1959 to July 1961.

Detective Cheng is commissioned by Interpol to destroy the Empire of Chaiba, a worldwide criminal organization based in Southeast Asia. He initiates an undercover operation to infiltrate the organization.

Lights Out was an extremely popular American old-time radio program, an early example of a network series devoted mostly to horror and the supernatural, predating Suspense and Inner Sanctum. Versions of Lights Out aired on different networks, at various times, from January 1934 to the summer of 1947 and the series eventually made the transition to television. In 1946, NBC Television brought Lights Out to TV in a series of four specials, broadcast live and produced by Fred Coe, who also contributed three of the scripts. NBC asked Cooper to write the script for the premiere, "First Person Singular", which is told entirely from the point of view of an unseen murderer who kills his obnoxious wife and winds up being executed. Variety gave this first episode a rave review ("undoubtedly one of the best dramatic shows yet seen on a television screen"), but Lights Out did not become a regular NBC-TV series until 1949.

An anthology series that explored the ways sudden and unexpected wealth changed life for better or for worse. It told the stories of people who were given one million dollars from a benefactor who insisted they never know him, with one exception.

Lux Video Theatre is an American anthology series that was produced from 1950 until 1959. The series presented both comedy and drama in original teleplays, as well as abridged adaptations of films and plays.

All That Glitters is an American situation comedy television series by producer Norman Lear. It consisted of 65 episodes and aired between April 18 and July 15, 1977 in broadcast syndication. The show, a spoof of the soap opera format, depicted the trials and tribulations of a group of executives at the Globatron corporation. The twist of the series was that it was set within a world of complete role-reversal: Women were the "stronger sex," the executives and breadwinners, while the "weaker sex" – the men – were the secretaries or stay-at-home househusbands. Men were often treated as sex objects. The series features Eileen Brennan, Greg Evigan, Lois Nettleton, Gary Sandy, Tim Thomerson and Jessica Walter. Comic actor and cartoon voice artist Chuck McCann was also a regular. Linda Gray played transgender fashion model Linda Murkland, the first transgender series regular on American television. Before and after its premiere, All That Glitters was negatively received and the series lasted just 13 weeks.

The Chevy Mystery Show is an American television anthology series featuring a different mystery each week that aired on NBC in 1960 as a summer replacement.

Good Heavens was an ABC comedy anthology series produced by Columbia Pictures Television that aired between February 29 to June 26, 1976. It ranked #17 in the Nielsen ratings during the 1975-76 television season. The main character was Mr. Angel, who was an Emissary of Heaven that came down to Earth to grant wishes to those who had performed a good deed. Episodes featured actors such as Don Ameche, Susan Dey, Sandy Duncan, Pat Harrington Jr., Florence Henderson, Alex Karras, Penny Marshall, Hugh O'Brian, Loretta Swit, Brenda Vaccaro, and Fred Willard.

Letter to Loretta is an American anthology drama series telecast on NBC from September 1953 to June 1961 for a total of 165 episodes. The filmed show was hosted by Loretta Young who also played the lead in various episodes. Letter to Loretta was sponsored by Procter & Gamble from 1953 through 1960. The final season's sponsor was Warner-Lambert's Listerine.

Call to Glory is an American drama series created by Ronald M. Cohen, and starring Craig T. Nelson as USAF Colonel Raynor Sarnac and his family as they navigated the political tensions and military duties of the early 1960s. Heavily promoted during ABC's broadcast of the 1984 Summer Olympics, the two-part pilot aired August 13, 1984. The first episode is related to the U-2 flights over Cuba during the 1962 Cuban Missile Crisis. During production, the plot came to focus more on the loneliness experienced by wife Vanessa while stationed on base and what she and the family would do to spend time in productive pursuits while enduring the Antelope Valley's isolation from civilization. The series, set near Edwards Air Force Base, blended historical events with the challenges of military family life, featuring themes of duty, family relationships, and the looming Vietnam War.

Schlitz Playhouse of Stars is an anthology series that was telecast from 1951 until 1959 on CBS. Offering both comedies and drama, the series was sponsored by the Joseph Schlitz Brewing Company. The title was shortened to Schlitz Playhouse, beginning with the fall 1957 season.

General Electric Theater is an American anthology series hosted by Ronald Reagan that was broadcast on CBS radio and television. The series was sponsored by General Electric's Department of Public Relations.

My Favorite Husband is the name of an American radio program and network television series. The original radio show, co-starring Lucille Ball, was the initial basis for what evolved into the groundbreaking TV sitcom I Love Lucy. The series was based on the novels Mr. and Mrs. Cugat, the Record of a Happy Marriage and Outside Eden written by Isabel Scott Rorick, which had previously been adapted into the Paramount Pictures feature film Are Husbands Necessary?, co-starring Ray Milland and Betty Field.