Alan Weeks

Tough narcotics detective 'Popeye' Doyle is in hot pursuit of a suave French drug dealer who may be the key to a huge heroin-smuggling operation.

Cool Black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.

Eugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He lives with his parents, his aunt, two cousins, and his brother, Stanley, whom he looks up to and admires. He goes through the hardships of puberty, sexual fantasy, and living the life of a poor boy in a crowded house.

English professor Susan Selky lives alone in a Brooklyn apartment with her young son, Alex. When Alex fails to return home from school one afternoon, a frantic Selky contacts the police. Detective Al Menetti, a father himself, takes an interest in the case that quickly turns into an obsession. As a devastated Selky struggles to come to terms with Alex's disappearance, Menetti steps out from behind the badge to continue investigating.

Jones is a secret agent who has gone into semi-retirement, concentrating instead on teaching the martial arts to inner city youths. The karate school is run by a kindly old coot named Pops. His gambling debts, however, bring the local thug, Pinky, down on him. To make matters worse, Pinky is then hired by some white thugs who want to get a hold of the property Pops' school occupies so they can build a shopping mall. When things get heavy, Black Belt Jones leaps into action. Only he's not alone. Pops' daughter, Sidney, shows up to lend a hand, proving herself every bit as agile and powerful a martial artist as Jones.

Truck Turner and his partner Jerry, who make their living as bounty hunters in Los Angeles, are hired to hunt down Gator, a pimp who has skipped bail.

Willie Dynamite is a pimp who operates in New York City. Willie was a big success as a pimp, but now, just as fast as he rose to the top, he has hit bottom. A former prostitute who has become a social worker tries to get Willie to clean up his life while it is still possible.

From the elaborate Broadway revival of the 1932 Eva Le Gallienne/Florida Friebus production comes a whimsical retelling of the Lewis Carroll classic.