Julián Hernández

Román is an actor who works in B-movies and who’s isolated in his apartment as a pandemic keeps the world on edge. Aldo, an indigenous young man, is an essential worker who’s allowed by the authorities to come and go. They live across from each other in an apartment complex. They meet online, and they can talk and even see each other in videocalls, but they can’t meet in person. Eventually, the temptation to break out of their lockdown comes up.

Gerardo is deeply in love with longtime lover Jonas. When Jonas falls for a stranger he met at a local nightclub, heartbroken Gerardo soon seeks solace in the arms of Sergio. Despite other interests, Gerardo and Jonas can't bring themselves to end it.

In a small town in China, young Yijie sells fruit around the city in a modest food bike. Stationed on a street, he witnesses how Yong, a boy his age, steals the purse of one of his customers. Both meet streets ahead. Despite not knowing each other, they decide to spend the afternoon together and share their dreams and intimacies.

It's a cloudy day and two young men enter a photo booth. They're friends, co-workers at a construction site; both take advantage of a spare moment and the small space to smoke, talk and portray an extraordinary moment.

Orlando and Marco, two young men who live in Mexico City, meet by chance and fall in love. Every day they fight in order to achieve their dreams: Orlando wants to be a dancer and Marco wants to graduate from nursing school. As they go against a diverse, ever-changing, hostile world, they’ll learn that once the darkness of night is gone and through their intertwined bodies and their synchronized souls, they will have seen all those demons of dawn go by.

Oscar works in a public bath, where he murders several people.

A shortfilm by Julian Hernandez

A story of love, sex and destiny. Youthful Kieri and Ryo share a deep and passionate love for each other. Kieri sets off in search of his soul mate after Ryo is kidnapped. A female spirit is with Kieri as he searches for Ryo. Ryo escapes and the pair will have to work hard to prove their love for each other as obstacles are placed in their path along the way.

Two men on the ground separate, we lose sight of them, the camera turns on its axis in a desert landscape; we see the dust, the mountains. We listen to a piano, the murmur of male voices, the characters move in and out of the frame while the camera rotates, in one of the already well-known film choreographies of the staging characteristic of the Mexican director.

Damián returns injured to the apartment he lived in with Uriel. Both of them avoid talking about what happened, but the memories that linger throughout the place they once called home become present. The longing for that idyllic past becomes an anguish for both, who are forced to coexist once again.

Emiliano looks at his life with the eyes of a film director, mixing the objective reality with the processes of the artistic creation. The story he is filming flounders with his daily life, until his world is trapped in the lens of his camera. Confused, always alone and in front of a screen, now become a transfigured reality, but at the same time a measurable, controllable and manipulable one, he listens in loop to a song: one of those songs you sing or repeat as a prayer and forcing you to remember, believe and convince yourself.

Boys On Film 5: Candy Boy features nine award-winning short films. Boys will be boys in Pascal-Alex Vincent's FAR WEST and CANDY BOY, where a farmyard and an orphanage get a gay makeover. GO-GO REJECT sees Flashdance obsessive Daniel aim for the stars, as SWEAT has Holby City's David Paisley infiltrating a bath house with unexpected results. Meanwhile, love proves to be timeless when LAST CALL unites past and present, but TWOYOUNGMEN, UT. hints at an uncertain future. Looking back on the dictatorship of Augusto Pinochet, BLOCKS focuses on the sexual awakening of a peeping Tom. Two more young boys, a confused JAMES and mute DAVID, both reach out for an experienced hand, but will they find what they are looking for?

The beautiful and erotic Bramadero finds Hassen and Jonás on the outskirts of Mexico City. Away from it all, they’ve found a spot where they can seduce one another and merge into one; where sex becomes desire, desire becomes love, and only death will separate them.

After suffering a violent incident, a woman decides to become a vigilante, defending every woman who has suffered from physical or psychological abuse.

18 sexy, funny, dramatic, erotic, perverse, irresistible, kitschy films. A selection of confirmed directors and future revelations of gay cinema.

A collection of sensual and provocative male-centric LGBTQ+ short films including: Pedro Had a Horse, Monte, The Gemini Has Two Faces, Death is Not the End of the World, Cobalto, The First Kiss, and The Oddity in the Blue Crayfish.

An outbreak has Esteban confined at home and separated from Alan. From his rooftop bedroom, he tries to maintain their relationship through video calls, but the isolation seems endless and reality catches up with them.

Max returns to her slum turned into the vocalist of a rock band. There, the memories await, the latest news and the truths that were silent for years: Sonia is a voice that speaks from the death.

Orlando and Saul meet by accident. The first one is a self-confident young man, university gymnast who avoids that his HIV-positive status defines him; while Saul, on the opposite, is insecure and barely understands what having an active sexual life means. The meeting will result in a new way of seeing life, one without fear where sex is an encounter and not a way of getting away from others.

A collection of sensual and provocative male-centric LGBTQ+ short films. The 4 short films are: My Pana (2023); Two Amongst Many [Dos entre muchos] (2022); The Anniversary [L'anniversario] (2022); If We Keep Talking in Summer Days (2023).

Winter. Two mothers wait for their children, involved in a social conflict, to return home. Crying is useless.

The love of his life hates kids. So when his 9-year-old daughter suggests she pretend to be his sister... what could go wrong?

María rehearses Antigone the same way as she criticizes the government's actions; Ismene listens fearfully just as Irving reluctantly accepts the official version of a lie. Love only has consciousness in its disappearance; in the end the causes will be known, and only the memory of those who refuse to forget will be left with no consequence.