Ulrich Noethen

In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.

Hitler no longer believes in himself, and can barely see himself as an equal to even his sheep dog. But to seize the helm of the war he would have to create one of his famous fiery speeches to mobilize the masses. Goebbels therefore brings a Jewish acting teacher Grünbaum and his family from the camps in order to train the leader in rhetoric. Grünbaum is torn, but starts Hitler in his therapy ...

Marco and Melanie, a young married couple, are living a life of passion, chaos, and all the little frustrations of everyday existence. Their love for each other seems like a beacon on heavy seas. But career pressure, burned toast, and dirty laundry are eroding all tenderness, and they never seem to find enough time for their six-year-old son, Benny, either. Their world is about to fall apart when Melanie moves out, taking Benny with her. She files for divorce, and Marco makes a decision that is not only going to change his own life. He suddenly discovers his own unique way of being a father … I’m the Father is a modern portrait of a generation which appears to fail its own ambitions: After all, how do you combine a job, children, love and all the other challenges of everyday life – without giving yourself up in the process? And then what happens when positions become entrenched and a divorce seems inevitable?

Elation in Neustadt: by the means of a little witching, Bibi Blocksberg saved two kids from burning to death. While her mother Barbara, a witch of flesh and blood herself, is very proud of her daughter, father Bernhard, overworked and stressed, disapproves greatly of her supernatural antics. Then Bibi gets a message from Walpurgia, the senior witch: she is going to receive her crystel ball, that will make a "real" witch of her, early. Proudly, Bibi jumps up her broom to fly to the Blocksberg, the witches' headquarters. But Rabia, one of the few evil witches, aging in misery and with a secret, begrudges her all the glory...and her youth. And so Rabia sets off events that will soon make Bibi's life fall into pieces.

A portrait of the genius that shook the world with her discovery of “the banality of evil.” After she attends the Nazi Adolf Eichmann’s trial in Jerusalem, Arendt dares to write about the Holocaust in terms no one has ever heard before. Her work instantly provokes a furious scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré also struggles to suppress her own painful associations with the past, the film exposes her beguiling blend of arrogance and vulnerability — revealing a soul defined and derailed by exile.

Katja and Johann are two teenagers who are the best of friends. They spend most of their time in a ruined fort, fantasizing about an ideal world. Their relationship becomes threatened when Johann is taken ill with leukemia, and Katja's mother is undecided on whether to stay with her husband or leave with her lover.

A German father's soccer-playing son is hit by a car and dies. The father donates the boy's red jacket to charity, where it ends up in war-torn Sarajevo. The boy's parents are killed, and he almost is. Some UN soldiers find him, and send him to a hospital in Germany. He escapes the hospital, is hit by a car (but unhurt). The driver reads the tag inside the jacket and "returns" the boy to the grieving father.

A wide-ranging, energetic period piece tracing the rise of the Protestant Henry of Navarre as he goes from battlefield warrior to France's beloved King Henri IV. Director Jo Baier's epic is a classically entertaining adventure, albeit one with more than a little bloodshed and frequent bawdy sexual interludes. In late 16th-century France, Catholics and Protestant Huguenots were at war. Seemingly seeking peace, the French dowager queen, Catherine de Medici summons Henry to her court to have him marry her daughter, uniting the two warring factions. However, the Catholics slaughter the Protestant wedding guests in what became known as the St. Bartholomew's Day massacre and Henry-now married-must use all his guile to both stay alive and maneuver for the throne. [Written by Palm Springs International Film Festival]