Jacques Godin

A researcher for the CIA who convinces his superiors to send him to the eastern bloc in order to avenge the murder of his wife by enemy agents discovers a web of deception underneath his wife's death.

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.

An out-of-work Irish immigrant in Montreal remains hopeful that his luck is about to change but his disillusioned family grow tired of his constant lying, pigheadedness and instability.

Françoise has gone into business seducing men whose wives want to divorce them, and who need incriminating evidence against them. In addition, she has a little blackmail operation going on on the side with politicians who can't afford a scandal. She got started on this business after she was raped, and hasn't looked back since. Now the police are on her trail, and she avails herself of the services of a couple who make a profession of hiding wanted criminals. At the hideout, she meets Simon, a second-generation mobster. As the police close in, Françoise and Simon go on the run together, pulling off occasional heists for operating money. Before long, they have also fallen in love.

A young American hockey player, studying in Canada on a hockey scholarship, falls in love while risking his scholarship and the prospect of the Vietnam war draft.

Police detective Jacques Laniel's life becomes a nightmare the day drive-by shootists gun down his partner Thomas Colin. His colleagues make matters worse by blaming him for the death, and after his wife leaves him, Laniel decides to quit the force and launch a private investigation into Colin's murder. Soon afterward, Laniel finds the bullet-riddled body of famed author and literature professor Zachary Osborne tied to his car hood. The professor's wife hires Laniel to solve the murder, but what the detective finds is ugly: Osborne was a part of a lucrative land-speculation deal that involved the sale of a crumbling old rectory that had been turned into a halfway house called the Haven of the Monsters. The name is apt, for all the residents are convicted killers who were given inordinately light sentences. When Lanier starts questioning the Haven's tenants and their crimes are revealed via flashback, it takes on the character of a David Lynch production.

A University teacher finds three bright students and decides to teach them how to count cards to make lots of money. As they learn how to play the casinos, things get tricky when the debt owing teacher informs them that their front man wants restitution for loses in about a weeks time. The three students decide to hit all the major casinos in Ontario and Quebec until discovered.

In a little French town everything goes on as usual and people seem friendly and good-natured, until the day two women arrive from Paris. A man gets off the same bus, and that very night he seizes the two women and asks for the most beautiful woman in town as their ransom. After the initial shock, the mayor, his brother, the prefect, the police, and the gendarmerie gather around the house where the two woman are imprisoned. It will be a test for everyone and each of them will show his/her real stuff: hypocrisy, meanness, or humanity concealed under their provincial respectability.