Georgi Millyar

Acting

Georgi Millyar

Born November 7, 1903 · Moscow, Russian Empire

Died June 4, 1993 · aged 89

No biography available.

Known For

Kidnapping, Caucasian StyleKidnapping, Caucasian Style · 1967
Kidnapping, Caucasian Style
7.61967
MovieComedy
Shurik, a kind but naïve ethnography student, falls in love with the intelligent, athletic and beautiful All-Union Leninist Young Communist League member Nina. He has a rival in the wealthy comrade Saakhov, who concocts a kidnapping scheme to force Nina to marry him.
War and PeaceWar and Peace · 1968
War and Peace
7.61968
MovieHistoryDrama
The love story of young Countess Natasha Rostova and Count Pierre Bezukhov is interwoven with the Great Patriotic War of 1812 against Napoleon's invading army.
The Property of RepublicThe Property of Republic · 1972
The Property of Republic
5.81972
MovieAdventureCrime
Spring of 1918. Tarakanov, managing the estate of Prince Tikhvinsky, with the help of a former court fencing teacher Marquess and a street kid Keshka, is stealing a collection of paintings and sculptures from the abandoned estate owners. Hoping to transport her abroad, criminals wander with a circus troupe, and in their wake goes a tireless criminal investigator — Makar Ovchinnikov.
A Brave HareA Brave Hare · 1955
A Brave Hare
7.31955
MovieAnimationFamily
The tale about the brave hare - long ears, slanting eyes, short tail. He was so authoritative like a boss of all forests that even the wolf scared him.
The End of Old BeryozovkaThe End of Old Beryozovka · 1960
The End of Old Beryozovka
6.01960
MovieRomance
Once at Borka, a big prankster and fidget, an adult friend appeared — the builder Ivan Degtyarev. Former sailor directed Borkin's energy in the right direction and made him his assistant. Soon a disaster happened in the Borkin family. His sister Liza will soon become a mother, and the father of the unborn child did not want to marry her and avoided meeting. Ivan tried to unite the young, but his attempts were unsuccessful. Having fallen in love with Lisa, he proposed to her — and soon the young happy family moved to a new home.
CometComet · 1984
Comet
5.31984
MovieScience Fiction
In a small coastal town,in the middle of the summer,the beaches are overcrowded,every piece of land occupied by tents and the cars of the tourists.A small group of filmmakers decide to shoot here a "masterpiece" by putting on a fake bank a ship.Suddenly,the crowd spreads the rumor that a comet will fall to the Earth very soon.At the last moment the most savvy vacationers decide to save themselves from a certain death by making some last minute unexpected changes in the script...
Torn BootsTorn Boots · 1933
Torn Boots
5.51933
MovieDrama
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.
SampoSampo · 1959
Sampo
4.61959
MovieAdventureFantasy
Based on Finnish mythology; Lemminkäinen woos the fair Annikki and battles the evil witch Louhi. Louhi kidnaps Annikki to compel her brother to build for her a Sampo, a magical device that creates salt, grain, and gold. When Lemminkäinen fails to recover the Sampo, Louhi steals the sun, plunging the world into frozen darkness.

Filmography

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Torn BootsTorn Boots · 1933
Torn Boots
5.51933
MovieDrama
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.

Passerby (uncredited)