Ruslan Akhmetov

This film is based on the classic novel of the same name by writer Ivan Franko, one of the most famous figures of Ukrainian literature. It is set during the 1200s and the invasion of the medieval Ukrainian-Russian state of Rus' by Chengis Khan's Golden Horde. Due to its having been produced during the Soviet era, the story's aspect of class-conflict between the "heroic" peasantry and the "decadent" noble particularly emphasized here.

Shurik, a kind but naïve ethnography student, falls in love with the intelligent, athletic and beautiful All-Union Leninist Young Communist League member Nina. He has a rival in the wealthy comrade Saakhov, who concocts a kidnapping scheme to force Nina to marry him.

In the midst of the wedding party of Prince Ruslan and Ludmila, daughter of Prince Vladimir, the girl is kidnapped by the evil sorcerer Chernomor and the witch Naina. Three of her past suitors set out, as does Ruslan, to rescue Ludmila.

St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz?

A former aristocrat Ippolit Vorobyaninov leads a miserable life in Soviet Russia. His mother-in-law reveals a secret to him - she hid family diamonds in one of the twelve chairs they once had. Vorobyaninov in cooperation with a young con artist Ostap Bender start a long search for the diamonds.

The film traces the path of the hero (formerly an ensign and a Knight of St. George, and then a talented commander of the Red Army) from the Civil War to the Great Patriotic War.

The story follows Maria Konovalova who travels from her rural village to visit her daughter Nina in the city. Maria's arrival exposes the stark contrasts between rural and urban lifestyles and reveals deep-seated family tensions. Interestingly, Родня (Rodnya) in Russian sounds very similar to the word Родина (Rodina), which means "Motherland." The film features three generations of women — Maria, her daughter Nina, and her granddaughter Irina — symbolizing three different Russias: one from the past, one modern, and one representing the future.