Nina Ruslanova

Early 18th century. Cartographer Jonathan Green undertakes a scientific voyage from Europe to the East. Having passed through Transylvania and crossed the Carpathian Mountains, he finds himself in a small village lost in impassible woods. Nothing but chance and heavy fog could bring him to this cursed place. People who live here do not resemble any other people which the traveler saw before that. The villagers, having dug a deep moat to fend themselves from the rest of the world, share a naive belief that they could save themselves from evil, failing to understand that evil has made its nest in their souls and is waiting for an opportunity to gush out upon the world.

In nineteenth-century Russia, a teenage boy in search of love is drawn to two very different women.

The Vultures on the Road - an organized gang of robbers and murderers, which includes even the police. They kill the truck driver's friend, whose wife is expecting a baby. The police (which is cooperating with the bandits), of course, does nothing, so he begins to take revenge on the scum, crushing their cars by his truck.

In a dystopian future, where corporate brands have created a disillusioned population, one man's effort to unlock the truth behind the conspiracy leads to an epic battle with hidden forces that control the world.

The film "Mama" is one of Gennadiy Karyuk’s first directorial works. It tells the story of two women who meet while on vacation. One lost her daughter long ago; the other bears a striking resemblance to her. Is it a mirage, a mistake, or fate? The director tells the story not through dialogue, but by prioritizing visual imagery and editing.

In 1920s Moscow, shortly after the October Revolution, a stray dog named Sharik is taken in by Professor Preobrazhensky, a wealthy and respected surgeon. The professor performs a daring medical experiment on the dog that changes him into a human being. As the newly transformed Sharikov begins to navigate life in the professor’s apartment, his crude behavior and revolutionary ideas turn the household upside down.

A continuation of a saga about Budulai started in "Gypsy" (1979).