Sanjeev Kumar

After his family is slain by notorious bandit Gabbar Singh, former Inspector Thakur Baldev Singh enlists low-level outlaws Jai and Veeru to capture Gabbar and seek revenge.

Tells the story of newly weds Hamid and Salma. They move into a rental flat next door to the local red light district. The flat had been the former home of a well known mujra and qawali singer, Shamshad. Men still come to the door in the hope of seeing Shamshad and do not seem too put out by seeing Salma despite her protestations. The couple struggle to live within the bounds of their own moral code while the earnings of prostitution seem to be flaunted around them. Hamid gets more and more angry and seemingly unable to reconcile his morality with the immorality of the world and at one point beats his wife and then rapes her making her into a 'whore' of his fantasy. The story here bears resemblance to the later 'Ek Chadar Maili Si' by the same director and seems to explore the complex world of women and sexuality as viewed by Indian men: mother, goddess, whore. This film also explores the ethos of prostitution in its reality and as a metaphor for the outside world.

Long-suffering heiress Seeta is treated worse than a servant by her abusive money-grubbing aunt. Meanwhile, her long-lost twin sister Geeta grows up to be a gutsy street performer. One day, the girls unintentionally swap places.

1966 film starring Sanjeev Kumar, L. Vijayalakshmi and Sheikh Mukhtar

In the year 1856, Nawab Wajid Ali Shah is the King of Awadh, one of the last independent kingdoms of India. The British intend to control this rich land and send General Outram to clear way for an annexation. Pressure is mounting amidst intrigue and political maneuvers, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either — noblemen Mir and Mirza ignore all duties and spend their days playing endless games of chess.

Vijay Kumar is the illegitimate son of a construction baron, Raj Kumar Gupta and his first love, Shanti, whom Raj had given up in order to marry a wealthy heiress. Raj does not know of this son, who grows up and after his mother's death comes to Delhi to take revenge on the Gupta family by destroying the family's business and their relation with each other.

Tyrannical and wealthy Veer Pratap Singh, rules over a small town - ruthlessly. Whoever opposes him is crushed. He is attracted to women, and has a lengthy affair with Soundariya, and even has a secret marriage ceremony with her. When Soundariya gets pregnant, he asks her to abort the child. When she refuses, he shuns her, and denies ever having married her or even being intimate with her. Her brothers attempt to get justice, but are dealt with ruthlessly by Pratap Singh's bodyguard, Bhima. Soundariya then must garner support of herself, and must find someone who can stand up to Veer Pratap Singh and end his tyranny, in a town with men who have been subdued for eons by Veer Pratap Singh and his men for eons.

When a Police inspector is killed by a band of thugs, his grieving father Samsher Singh seeks justice. Pratap Singh has left behind a pregnant widow, who dies in chidbirth, leaving Samsher to bring up the child Kunal. The transformation of Samsher Singh (a locomotive engine driver) into Sobhraj, multi millionaire and owner of a vast network of business. Kunal is brought up by Abu Baba, a servant of Sobhraj to be honest, upright, and very independent minded. Durga, the daughter of a former employee of Sobhraj, who is serving time and Kunal fall in love. This not acceptable to his grandfather, though Abu Baba approves of the relationship. Disaster strikes when an attempt is made to separate the lovers. The life of Samsher Singh alias Sobhraj begins to unravel from here. How Kunal's ethical upbringing by his foster-father, and his financial and business circumstances of his grandfather meet in a titanic conscience clash and how he resolves matters is at the nexus of the plot.