Glauco Mauri

An English pianist living in Rome witnesses the brutal murder of his psychic neighbor. With the help of a tenacious young reporter, he tries to discover the killer using very unconventional methods. The two are soon drawn into a shocking web of dementia and violence.

Four friends, former 1968 student protesters who have checked out of politics and struggle to come to terms with the present, try self-criticism to figure out what to do with themselves, only to end up doing what they do best: sinking into endless talk without ever reaching a conclusion.

A pair of working class lovers - a secretary and an accountant, scheme to marry into the rich landed gentry.

The story of the “Oresteia” begins with King Agamemnon's return to Argos after the fall of Troy. The chorus, composed of old Argives, recalls the sacrifice offered to the gods by Agamemnon, in Aulis, of his daughter Iphigenia to gain their favor.

A forty year old woman, who has been in an asylum, goes to live with her brother's family. She proves incapable of adapting herself to family life, takes refuge in the country alone with her memories, and is later returned to the asylum.

Glauco Mauri was the first Italian performer of Acte sans paroles. A unique piece that renounces speech and deconstructs language, expressing itself through the suggestion of mime and grotesque gags reminiscent of early silent films.

A four-part Italian RAI television adaptation that brings to life Fyodor Dostoevsky's three "ministerial novels": The Double, Notes from Underground, and A Nasty Story. The series delivers a psychological and social portrait of low-ranking state officials caught in their own deep inner turmoil, social alienation, and moral decay.