Nana Patekar

Karikaalan consistently fights to keep the people of Dharavi, a slum in Mumbai, safe from the clutches of mighty politicians and the land mafia don, Hari Dhadha.

Two gangsters meet Rajiv, who belongs to a respectable family, and want to fix their sister's wedding with him. However, when Rajiv's uncle refuses to the match, a series of hilarious situations occur.

A middle-aged Tukaram is passionate about food and archaeology but it’s a misplaced call from Madhura that adds the tadka to his life. While love simmers, Nicole and Sidharth’s story spices up too.

A veteran Shakespearean actor steps off the stage and into the painful tragedy of old age, facing ungrateful family and his fleeting legacy. Based on a play of the same name written by playwright Kusumagraj (V. V. Shirwadkar).

Haunted by loss and drifting away from his daughter, a retired Subedaar Arjun Maurya’s newly found civilian life is jolted by one reckless act. As old wounds reopen, he must summon the warrior within to face a new kind of war - one that hits too close to his heart.

What fate awaits a stonehearted gangster and bloodthirsty womaniser when true love claims him, helpless and unguarded? A gang war that shakes the entire underworld and crime syndicate to their very roots. A forbidden love; the tale of an unrequited passion.

A couple visits the husband's family in India and finds itself in the middle of a fratricidal battle.

Raju, Shyam and Baburao are living happily after having risen from rags to riches. However, they lose it all after falling victim to a chit fund scam due to their greed for more money. Soon, they find themselves in new mess and encounter eccentric and dangerous characters in their quest for a shortcut to riches again.

A father writes his will — his son "Jolly" is going to get it all. But who is Jolly? The comedy unfolds as different people pose as the "real" Jolly on a cruise celebrating the father's birthday — where a murder takes place.

The film encompasses some of a lifetime span of the legend - "The Father of the Indian Unrest". Inspired by the ideologies of Bal Gangadhar Tilak, Makarand, a journalist, tries to incorporate his values in the changing political scenario in India.

Rakesh Maria, Mumbai's Joint Commissioner, recounts the events of 26/11, where ten Pakistani terrorists attacked the city

When a revengeful Krishna destroys his brother's motorbike, his mother asks him to return home only when he earns INR 500 to repair it. In a turn of events, he finds himself in a Bombay slum.

A young engineer, from a small town, moves to Mumbai, with big dreams. As he hugely advances in his career, he gets caught up in the rich and glamorous lifestyle and starts getting changed. After becoming a victim of a conspiracy, he realizes his mistake and tries to redeem himself.

It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.

Home Minister Janardhan Jagirdarand chief Minister Anna Saheb are much concerned over the criminal activities of underworld dons Rawal and Rauf Lala. Rawal is operating from Bangkok while Rauf supervises his gang from Mumbai. The famous Encounter Squad is activated to counter the gangsters and restore peace in the area. The formidable Sadhu Agashe (Nana Patekar) is requested to take charge of the peace-keeping mission. At first he is reluctant but after continuous insistence, he agrees to launch a counter attack against Rawal and Lala Rauf gangs and the action begins.

When Tara Singh goes missing during a skirmish and is believed to be captured in Pakistan, his son Jeete sets out to rescue him and enters a labyrinth from which they both must escape at all costs.

A pair of reformed gangsters try to find a husband for their newly discovered sister, but complications arise due to mistaken identities.

The film revolves around a gangster named Mustafa (Patekar) who is a contract killer and can go any limit to please his superiors and offers 5 times Namaz. He was adopted by a powerful don Shanta Prasad (Rawal) when he was a child. He calls Shanta as Abba (an Urdu term for father). Abba taught him the crime tactics and made Mustafa his weapon for his illicit crimes. Mustafa's only aide is Sudama, his childhood best friend. Abba shares enmity with the Verma brothers Mahesh, Rohan and Bipin (Pradhan, Joshi and Bahl) which the trio wants to kill Abba. Meanwhile, a dancer Kavita (Tandon) who works in Verma's dance club.

A new English school teacher ends up leading both teachers and students to revolt against the school management.

Mumbai-based Nandkumar Sharma is a high-priced hit-man. He is paid a princely 1.5 Crore Rupees to injure Anna Mhatre, so that the later can get enough 'sympathy' votes to get him elected as the next Chief Minister, but ends up killing him. On the run from the Police, he ends up assuming the guise of Hoshiyarpur's Puran Singh, who has been away from home for the last 18 years, and does succeed in fooling Puran's joint family. But his hopes for settling there appear to be in vain with the arrival of a CBI Team, led by Inspector Mahendra Kumar Rane - who is determined to expose and arrest Nandkumar at any and all costs.

Gopal and his best friends are back again, and this time they move back to their old neighborhood in a new palatial house where they learn that it is being haunted by a ghost.

Two monks and two children are the only survivors after a sandstorm in Sariput. After the two children, Iti and Nirvana, grow up, they fall in love with each other.

Sagar Sangam is a 1988 Hindi film. A family drama, it had a very long delayed release. The film was announced in 1985, had its records released in 1986. The film stars Mithun Chakraborty, Shatrughan Sinha, Raakhee, Padmini Kolhapure, Anita Raj and Asha Parekh.

SANKALP is a premium Indian socio-political drama that explores how power is manufactured not through elections, but through mentorship and institutional control. Inspired by the ancient Chanakya–Chandragupta chronicles, the series reimagines political strategy for modern India, where classrooms replace battlefields and bureaucrats replace soldiers.