Martín Mauregui

On October 13, 1972, Uruguayan Air Force Flight 571, chartered to take a rugby team to Chile, crashes into a glacier in the heart of the Andes.

When a woman is admitted by her daughters to a psychiatric clinic for her carefree ways, an expert must judge if she is ill or simply wants to enjoy life.

Pedro receives a desperate message from an ex-girlfriend asking him to look after her senile mother, Alicia. What seems like a simple mission soon becomes his worst nightmare. Pedro needs to escape; but Alicia won’t let him...

Joe Arroyo and his musicians will embark together on this psychedelic journey through various hotel rooms. Rebelión is the portrait of a genius in the depths of his intimacy, the throb of a soul in love and tormented by that great love: music. It is a timeless journey through his life, passing through the dark and lonely place where the creative act happens, where his talent is on the surface and his emotions are free, as well as his whims. The story takes place in hotel rooms, overflowing with chaos and the genius of Joe. A hotel room that are many and that, in turn, contains the agony of the genius who sabotages everything he loves to remain free.

X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.

Humberto Brause takes advantage of Uruguay’s poor economy by specializing in offshore money laundering. Spanning the fifties to the seventies, the film follows Humberto as he gets increasingly in over his head with multiple shady book-cooking schemes throughout South America, leading to an ultimate life-or-death decision.

In Argentina over 8,000 people die in traffic accidents every year. Behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes. Sosa is a lawyer who tours the A&E Departments of the public hospitals and the police stations in search of potential clients. Luján is a young doctor recently arrived from the provinces. Their love story kicks off one night when Luján and Sosa meet in the street. She's trying to save a man's life; he wants him on his client portfolio

Tonelec, a young descendant of Tobas, is knowledgeable about his traditions, his history, his legacy and his language, but acts as a member of a Ranquel community, in a film set in 1810 that celebrates the Bicentennial. He, the other actors and the technicians working on the set try to overcome so much confusion.

An aspiring teen thieves learn what it takes to be successful pickpockets on the streets of Bogotá

Sosa is a lawyer who haunts hospital waiting rooms hoping to represent the victims of traffic accidents in insurance claims. When he falls in love with ambulance medic Luján, he tries to leave this dark business but the shady law firm that he works for won’t let him off that easily.

Julia, a 25 year-old university student, two weeks pregnant, with no criminal record, is sent to prison. Julia murdered the father of her child. This story addresses maternity, jail and Justice; confinement, guilt and solitude; but above all it deals with Julia and her son, Tomas, born inside an Argentinean prison.

The story of a young couple, from beginning to end, from the euphoria of falling in love until the final days blurred and dark, is realized with an analytical eye and investigative zeal. How and why two people fall in love? What now? How quickly will they get into a relationship? When a relationship ends, and when should it end? Peter and Sofia, with its simple story of love, they become reflections of all those who, at twenty-five years have been in love.

Laura is pregnant, but she doesn't want to have that child. Juan, her veterinarian husband, on the other hand, does. Laura seems obsessed with the piano lessons she gives to Sol, a young student in whom she has vague hopes: perhaps to see her pursue a career she'd given up on, or even the chance to escape from a town that's suffocating her.

Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.

Jorge Villafañez is a rotund, veteran private detective living alone in a high-rise apartment in Buenos Aires. Discreet and meticulous, he has a knack of making people open up in conversations. But when a new assignment puts him on the trail of Elvira, an experimental choreographer, the distance between the observer and the observed begins to collapse as Jorge descends into the rising waters of the Delta del Río de la Plata.

Five shorts spanning a century on lives impacted by the Panama Canal. Men, women and children who are influenced by the existence of the "Canal", the event that changed the history of not only a country but the world.

Without a doubt, Angélica is having a crisis. Her mother died recently, she has to empty out her childhood home because it is going to be demolished, she doesn’t seem to have gotten over her split with her ex, and she is about to turn 40. Without any idea about how to deal with any of these things, she escapes to the past: she secretly hides in her childhood home and, while the walls fall around her, reality becomes hazy. Hidden in her house, that is both a shelter and a trap, bit by bit Angélica loses herself, fusing with her mother. Delfina Castagnino creates an elliptical and sinister tale, sowed with disturbing sounds and shadows, a film in which a framing, a musical note or a camera movement can transform peeling wallpaper into a threat, or the projection of a slide image into a ghost. And so what could be a family drama becomes a psychological thriller: Angélica turns mourning into a tale of horror.

While working alongside his long-time friend and colleague in building a hospital for the residents of a Buenos Aries shantytown, a troubled priest finds solace in a young, atheist social worker.