Craig Baldwin

Within days of the release of Negativland's clever parody of U2 and Casey Kasem, recording industry giant Island Records descended upon the band with a battery of lawyers intent on erasing the piece from the history of rock music. Craig "Tribulation 99" Baldwin follows this and other intellectual property controversies across the contemporary arts scene. Playful and ironic, his cut-and-paste collage-essay surveys the prospects for an "electronic folk culture" in the midst of an increasingly commodified corporate media landscape.

An innocent man walks through San Francisco clueless to the fact that the Blue Angels are in town practicing their air show. After several encounters with the city's more colorful characters, our hero snaps and runs amok, seeking shelter from the unknown terror above. The movies are just around the corner! Or in our hero's case, he's on their corner.

The mythic nature of cowboy masculinity is deconstructed in this scathing montage of re-contextualized sounds and images culled from advertising, television, arcade game footage and other pop culture iconography.

A collaged conversation around the ruins of the Sutro Baths, a massive San Francisco bathing complex turned to dust inside of a century. The site of the baths is the nexus, but the conversation wanders.

Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.

Lesson 9 is a short film about the loss of a lover to insanity. Part horror story, noir-like mystery and disaster film, Lesson 9 weaves together shards of a narrative that has been shattered like excerpts from the journal of a lover gone mad. A disaster movie after the disaster, the film uses three different definitions of possession to form its thematic structure and to explore love, loss, sexuality and insanity.

Armed with S8 camera and sound-person, Craig Baldwin runs both recording devices continuously through single-take raids on a series of SF Market St. grindhouse theaters. Rushing past box offices and through front lobbies, he captures the chance scenes and sounds on screen at the time, then flees out the rear exit doors to reunite with the reality of the street.

In post-apocalyptic 2007 where a government cover-up disseminates via mass media and the history of electromagnetic technologies, from X-rays to the Internet, telepath Boo Boo travels through the history of TV to fight against a corporate-controlled 'New Electromagnetic Order'.

A meditation on the syncretic nature of art and culture in the 21st century, superimposing the of internal world Baldwin's subterranean film lab with a group of Mayan dancers during the Dia de los Muertos procession.

This kaleidoscopic, amphetamine-paced tour de force uses a barrage of found-footage images and rapid-fire narration to trace a history of Zaire since its independence in 1960.

A compilation disc in two parts. The first is a collection of 70s television ads called "What The 70s Really Looked Like", curated by Matt McCormick and Morgan Currie. The second part is called "70s Remix" (curated by Craig Baldwin and Noel Lawrence) which features a selection of art films that all make interventions on found footage from the 70s. These films include Matt McCormick's "The Vyrotonin Decision", Thad Povey's "Thine Inward-Looking Eyes", Tony Gault's "Not Too Much Remember", Damon Packard's "Toast 'ems", People Like Us's "We Edit Life" and Animal Charm's "Mark Roth".

A pretentious underground filmmaker struggles with his masterpiece while a scuzzy punkoid chick tries to keep her band from fading into obscurity.

"Spacedisco One" is a sequel to both "Logan's Run" and "1984" at the same time with Orwell's Winston Smith running into the daughters of Logan 5 and Francis 7 as they're busy running about a park firing off laser beams at one another. It's not until they meet that Winston realizes they're actually all fictional characters in a movie. When not discussing "Battlestar Galactica" with Stargirl 7 and Francis 8, Winston makes frequent visits to the Ministry of Truth - Universal CityWalk.

Coronado's ill-fated expedition across what is now the American Southwest is examined in a mix of found footage and live-action.

A collection of films from an eclectic array of contributors commissioned to raise funds for the Bristol independent cinema The Cube.

A short film about Artists' Television Access.

A music-filled tour of Christmas good cheer overtakes this gastronomically oriented excursion through the winter season of discontent and yuletime yearnings craving ignition.

The winner of numerous festival prizes, this early work by Lynne Sachs is a provocative film essay on women's perspectives on their bodies in a "man's world." It touches on everything from the female form's depiction in Renaissance art to the school of 19th century "scientific" thought equating "abnormal" physiognomy with criminality. This adventurous collage also features the filmmaker's own diaristic recollections (notably of being fitted for a diaphragm by a cold, intimidating doctor), poetical staged sequences, other women's audio testimonies, an old classroom instructional reel about menstruation, prose by Gertrude Stein and feminine "ideals" like the undulating young woman performing in fish-tail costumes at Florida's kitschy Weeki-Wachee Springs "Underwater Mermaid Theater." - Dennis Harvey

A radical hybrid of spy, sci-fi, Western, and even horror genres, Craig Baldwin's Mock Up On Mu cobbles together a feature-length "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative religions, and Beat lifestyles. Pulp-serial snippets, industrial-film imagery, and B- (and Z-) fiction clips are intercut with newly shot live-action material, powering a playful, allegorical trajectory through the now-mythic occult matrix of Jack Parsons (Crowleyite founder of the Jet Propulsion Lab), L.Ron Hubbard (sci-fi author turned cult-leader), and Marjorie Cameron (bohemian artist and "mother of the New Age movement"). Their intertwined tales spin out into a speculative farce on the militarization of space, and the corporate take-over of spiritual fulfillment and leisure-time.