Eugene Jarecki

Some of the world's most innovative documentary filmmakers will explore the hidden side of everything.

In the past 40 years, the War on Drugs has accounted for 45 million arrests, made America the world's largest jailer, and destroyed impoverished communities at home and abroad. Yet drugs are cheaper, purer, and more available today than ever. Where did we go wrong?

WikiLeaks founder Julian Assange battled extradition to the U.S., where he could've faced a lengthy sentence for publishing classified documents. His case, centered on press freedom, took unexpected twists as it unfolded.

A cultural portrait of the American dream at a critical time in the nation’s history. Set against the 2016 American election, The King takes a musical road trip across the country in Elvis Presley's 1963 Rolls Royce.

Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.

Based on the story of Americas enigmatic career of one of the revered architects of the modern world - icon, screen star, and two-term president, Ronald Reagan.

Patty Sullivan is a battered woman who decides to take charge of her life by taking boxing lessons to better protect herself when her boyfriend becomes violent. Patty soon learns she has some talent for boxing and sets her sights on competing in a professional fight. More is on the line than just the woman's title.

The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they're one in the same, and the vast amount of territory he's covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early '90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don't Blink is Israel's like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.