František Husák

Sixth-grade pupil Katka daydreams during a math class about being Snow White and being freed by a prince who looks very much like Dzery from the eighth grade. Katka, her girl friends Lenka and Martina, and her fellow-pupils Franta, Joska and freckled Vrabcák, have spent five years going to the same little one-class school in their home mountain village of Pastvina. Their kind teacher Smetácek was very understanding about their games and fantasies, but he didn't teach them much about arithmetic. They are now laughed at for their ignorance by the strict Bidlo, their new teacher at the near-by little town. As he does every year, Smetácek is preparing a theatre performance with the local children. Katka suggests the fairytale about Snow White

Mikolás and his brother Adam end up with a young German hostage of noble blood during a robbery. While their clan prepares for the wrath of the German king, Mikolás is sent to pressure his neighbor Lazar into a defense pact. Persuasion fails and he abducts Lazar's daughter Marketa on the eve of her initiation as a nun in an act of vengeance.

The opera lady singer Ema Destinnová is in all her splendor at the American stages. But in Europe there rages war and she decides to return home to Bohemia.

Olda Raška, a novice pilot, is going through an emotional crisis that will greatly affect his professional abilities. Only thanks to the understanding of his superiors will he realise his shortcomings and overcome the crisis. While he begins his life's journey, the experienced pilot Lieutenant Colonel Lošťák has to quit flying for health reasons. The film is very skillfully crafted and attractive for its time, mainly due to the unique aerial shots and behind-the-scenes sequences from the airport.

A sincere provincial young man, Frantisek Koudelka leaves to work in Prague. For the trip he buys a computer made horoscope with biorhythms charts, marked according to his date of birth, there are trappy, precarious, unsuccessful and even critical days and few successful days. The clumsy luckless person Frantisek has finally a guidance for his life.

The story takes place in the Czech-German border region in 1938. The hero Tomás Jakl marries but the marriage is not very lucky and falls apart. His German friend forced him to enter the Nazi party.

Honza and Zuzana are very young husband and wife. They have a little daughter of whom willingly occasionally take care the grandparents and Honza's fifteen-year-old brother Martin. Zuzana continues studying and Honza devotes all weekends as an amateur competitor to the motor-cycles at the speedway. Zuzana is not interested in motor-cycles. Martin holds responsible for his brother's marriage and at the advice of his friend Magda, who is of the same age, invites her sister-in-law to the club of Hucul horses so that she does not feel bored. But by misfortunes and unexplained quarrels both young husband and wife start being jealous of one another.

Mr. Benda, a married father of two children, works for a company that liquidates old banknotes. After one drunken party, he is visited by a painter who tattooed his back in drunkenness the previous night. The image tattooed on Benda’s back is considered the painter’s best work by the professionals.

At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

The husband and wife Ludva and Hedus Homolkas with their twins Péta and Máta and Ludva's parents - the granny and grandpa - arrive in the snowy Spindleruv Mlýn for a holiday. They promise to each other that they will not spoil the quite expensive holiday by quarrels. If somebody hurts the other one he/she will kneel as a punishment.

The former reputed lover and bon vivant Petr Vok from Rožmberk was widowed at the age of sixty-three. The loss of his much younger wife is hard to bear and it seems that nothing in his life will please him anymore. His loyal friends and servants do everything possible and impossible to cheer him up, but sometimes interesting situations arise, such as when they get him a guaranteed real mermaid. Will anyone be able to cure the master of his lethargy?

In 1757, the second year of the Seven Years' War, Frederick II the Great stands at the gates of Prague. He has been trying to take the city for weeks, as the enemy commander Duke Charles of Lorraine is inside. Frederick has just defeated him, but the tide could soon turn against the Prussians, as new Austrian troops are approaching. None other than the famous master thief Andreas Christian Käsebier is to sneak into Prague to open the gates from the inside. As a reward, the king promises him freedom. Käsebier accepts the offer because he is tempted to steal an entire city. But by chance, Käsebier learns that the king wants to betray him. After a successful battle, he is put back behind bars for life. This doesn't suit the master thief at all, especially as he has just fallen in love with Katka in Prague.

The future communist journalist Julius Fučík had a stimulating childhood and youth in a working-class environment, when his moral maturity was already showing. The authors of the film recall that the young Julek was a star of the suburban operetta scene, and in three episodes they depict him both in his early childhood and already at the gymnasium, when the outbreak of the World War shaped his determination.

Zdeněk Zaoral began filming this film in semi-amateur conditions, but it was eventually completed in a Zlín studio and released in cinemas. At its time, in the second half of the 1980s, it was the first completely open and also unusually raw statement about the course and consequences of drug addiction. The story of an eighteen-year-old girl who tries to escape her habit shows documentary values ​​- both in the staging and in the speech of the individual characters, in the authenticity of the drug-addicted environment.

Cast out by his father, young Ondrej joins the Order of the Teutonic Knights, where he is raised by strict monk Armin. After years of hardship, Ondrej escapes from the Order when he is wrongly punished, and sets out for his former home. Arriving to discover his father to be dead, Ondrej now not only assumes control of his father's properties, but seeks to marry his former stepmother.

Czechoslovak comedy film directed by Ladislav Smoljak, about the fictional national hero Jára Cimrman (universal genius, inventor, sportsman, criminalist, poet, writer and philosopher).

The film from 1976, a film that is exemplary in its devotion to the canons of normalised cinema, is the work of director Stanislav Strnad. He brought to life the script of an unusual author - the secretary of the SČDU, Arno Kraus - in this psychological drama. The protagonist of the story also has his cadre materials in order according to the requirements of the time - he is a worker director Kabát, who besides problems at the workplace also copes successfully with difficulties in his private life - a break-up with his wife.

This light comedy finds a Czech taxi driver taking his family on a weekend outing in the country. His wife, daughter-in-law, son and two grandchildren are the passengers who disturb the solitude of two young lovers. While the women attend the horse races, the father sits home getting drunk and watching football. The overweight daughter-in-law is upset because she has blown her chances to become a ballerina. All members of the family are caught up in their own individual problems in this realistically portrayed family comedy

Wartime events from a child's perspective were a popular theme during the previous regime - here it is a twelve-year-old village boy who experiences dangerous situations with retreating Nazi troops in picturesque South Bohemia... Any attempt to achieve a more believable depiction is destroyed by the staging's grandeur, and in the end the result is an awkward piece, suitable at most for celebrating the relevant national holidays. A longer copy with a tragic ending is stored in the NFA. Milda is shot unnoticed by an SS major.

Sonya is the heiress to the riches of a Czech noble family—the Hajns. Petr, a social climber marries her, ignoring some shady goings-on—in particular, an insane uncle who prowls the mansion believing himself invisible, a peccadillo the family indulges. The uncle’s stalking every corner of the house, popping out of cupboards and out from behind curtains slowly takes its toll on the young bride.

Three short stories. Prague finally sees the approval of the subway construction. Thousands of individuals took part in preparing, course and finalizing construction of subway and their lives crossed at certain points of this construction.

The idea of mystery unites the three debut stories - the original Bermuda Triangle with its mysterious phenomena has begun to shift and can be traced anywhere in the world, including Czech and Slovak territory. Here, too, unexplained shifts in space and time occur. This idea is supported by the aforementioned short stories, but the inventiveness of the subject matter and staging is very heavy-handed, and the film passed through the cinemas without much interest.

Thirty Cases of Major Zeman is a Czechoslovak action-drama television show intended as a political propaganda to support the official attitude of the communist party. The series were filmed in the 1970s. Each episode encompasses one year, and investigations are stylized to that year. Most are inspired by real cases. The series follows the life of police investigator Jan Zeman during his career from 1945 to 1975.

Pan Tau always had a gentle expression and a friendly smile, he was elegantly dressed in a stroller, with an umbrella and a white carnation in the lapel. Foremost, he was famous for his magic bowler hat. By tapping on his hat, Pan Tau was able to change his appearance into a puppet, to conjure up miscellaneous objects or to do other magic. His most characteristically behavior is that he would help children who were experiencing some sort of difficulties in-between their dreams and reality, like finding a place for skiing, settling family problems on Christmas, and even give a boy a good time at a fair when he is supposed to have piano lessons. To adults, he usually remained invisible.

Sňatky z rozumu was a Czechoslovak television programme which was first broadcast in 1968. The programme was directed by František Filip.

A story of a little girl Verka and her life during the beginning of WWII. Based on Vera Sládková novels.

Series about the life of Renaissance anatomist, scholar and politic Johannes Jessenius. Already legendary series today, was produced by Czechoslovak Television Bratislava, directed by Slovak director Miroslav Luther in the first half of 80's in Barrandov Studios in Prague. The story and screenplay of the series wrote Czech writer Vladimír Körner. Five-episodes epic historical narration is a biographical story of distinguished Renaissance scholar, anatomist and politic of Slovak origin, Johannes Jessenius (Ján Jesenský, 1566–1621). It displays his life from the first studies and successes. In 1594 he became professor of surgery and anatomy on Wittenberg University, which he had attended years before. From that moment, his life went through social and personal wins and losses, to the sad end on the Prague Old Town Square gallows, among 27 noblemen, knights and burgenses, after lose Bohemian Revolt in 1621. His destiny was coupled with key events of Czech history in the break of 16th and 17th century, when Renaissance and European humanism slowly fade out.