Joan Blackman

The residents of a suburban high-rise apartment building are infected by parasites that turn them into mindless nymphomaniac fiends.

When the local sheriff is killed after a bank robbery, ex-lawman Ben Cutler collars the apparent killer, Eddie Campbell. Because of his background as a local youth who spent time living with the Cutlers, Eddie gets the benefit of the doubt from Ben's daughter and his wife-to-be. Ben is firm that Eddie is guilty, and as the matter is debated in a divisive court battle, it will soon become clear whether he's right.

After completing military service, Walter Gulick takes a job as a sparring partner at a gym, the owner of which sees potential in Walter as a professional fighter—and takes him under his wing.

Just discharged GI Chad Gates returns to Hawaii, where he becomes a tour guide, defying his mother's wishes for him to join the family business.

A vengeful Southern sheriff is out for blood after his wife is brutally killed by a pair of drifters. Low-budget film set in Georgia in 1953 and at the time of release, purported to be based on a true story.

Playwright James Lee adapted his off-Broadway play for the screen in this high-strung adaptation, directed by Joseph Anthony. In this simplistic, backroom show-business-success saga, Anthony Franciosa plays Sam, a struggling young actor who will forsake his family and take any type of menial job in order to become a Broadway star. Dean Martin is on hand as Maury, an aspiring director also trying to claw his way up the ladder of success. When Maury gets his big break, Sam wants a part in his show, but when Maury, who is unwilling to cast Sam in the production, turns down Sam's request, Sam seduces and marries Maury's girlfriend (Shirley MacLaine). In spite of everything, Maury wants his girl back, and Sam agrees to a divorce on the stipulation that Maury cast him as the star in his next show. Once again, Maury reneges and, before Sam can exact his revenge, Uncle Sam comes to the rescue and he is drafted into the army.

Fictionalized account of Ferdinand Waldo Demara Jr., who stole or created fictional identities and worked in a variety of occupations, most quite successfully.

Naive, but brash and sultry teenage runaway Bonnie finds herself lost and adrift in America. The lovely young lass runs afoul of a colorful array of evil oddballs who all treat her like an object.