Jasper Britton

A drama about explorer John Smith and the clash between Native Americans and English settlers in the 17th century.

Set against the backdrop of the succession of Queen Elizabeth I, and the Essex Rebellion against her, the story advances the theory that it was in fact Edward De Vere, Earl of Oxford who penned Shakespeare's plays.

Jimmy Erskine is the most feared theatre critic of the age. He lives as flamboyantly as he writes and takes pleasure in savagely taking down any actor who fails to meet his standards. When the owner of the Daily Chronicle dies, and his son takes over, Jimmy quickly finds himself at odds with his new boss and his position under threat. In an attempt to preserve the power and influence he holds so sacred, Jimmy strikes a Faustian pact with a struggling actress, entangling them and the boss in a thrilling but deadly web of desire, blackmail, and betrayal.

On 6 December 1995, three Essex gang members were brutally murdered in cold blood. In early 1997, the perpetrator has yet to be brought to justice. An associate of the men, still mourning the loss of his friends, is convinced that it’s only a matter of time before he’s next.

When police discover a young girl brutally murdered, brothers Joe Fairburns and Chrissie Fairburns join their supervisor Robert to investigate main suspect Jason Buliegh, a local sex offender and social outcast. Forced to release Jason from police custody, the Fairburns take matters into their own hands in an attempt to coerce a confession.

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).

A pair of scientists investigate a mysterious death.