Mickey Spillane

One evening, Hammer gives a ride to Christina, an attractive hitchhiker on a lonely country road, who has escaped from the nearby lunatic asylum. Thugs waylay them and force his car to crash. When Hammer returns to semi-consciousness, he hears Christina being tortured until she dies. Hammer, both for vengeance and in hopes that "something big" is behind it all, decides to pursue the case.

Jack Williams was the best friend of Vietnam veteran and detective Mike Hammer. When Jack is murdered, Mike makes it his business to solve the crime. He is helped by his secretary Velda, and partly helped, partly hindered by the Chief of Police, Pat Chambers. On the trail of the killer, Mike discovers government conspiracies, and plots used by the CIA and the Mafia.

After his best friend and war buddy is mysteriously gunned down, Mike Hammer will stop at nothing to settle the score for the man who sacrificed a limb to save his own life during combat. Along the way, Hammer rides a fine line between gumshoe and a one-man jury, staying two-steps ahead of the law—and trying not to get bumped off in the process.

Mickey Spillane plays his own creation, street-thug-turned-PI Mike Hammer, in this 1963 adaptation of his novel. The film opens with Hammer on the downside of a years-long bender, scooped out of the gutter by a bitter cop intent on prying information from a dying man. Inspired to clean up his act by the secrets he hears, Hammer hits the streets on a personal crusade to find the love of his life. Future Bond girl Shirley Eaton costars as a glamorous society widow who goes slumming with Hammer.--Sean Axmaker

Soon after thumbing a ride from a truck driver, Johnny McBride is badly burned and suffers from complete amnesia when the vehicle he’s riding in blows a tire and goes over an embankment in a fiery blaze. McBride later receives a tip from an acquaintance that a photo of him was placed prominently in the window of a photography studio in a town called Lyncastle, so Johnny immediately leaves for the burg in the hopes that something there will jog his memory.

Based on THE DEEP by Mickey Spillane, the film tells the story of a tough guy, who returns to his old neighborhood to avenge the murder of his childhood partner in crime.

Patty McCormack's "Mommy" is psychotically obsessed with her 12-year-old daughter Jessica Ann -- so much so that when she finds out Jessica didn't get the "Student of the Year" award again, she solves the problem by murdering the teacher who didn't recommend her for it. She dismisses the killing as inconsequential ("a minor accident"), but the homicide detective assigned to the case suspects her immediately, and an insurance investigator who also suspects her tries to get close to Jessica Ann to find out what really happened.

Private detective Mike Hammer takes on a case looking for Trinity Sinclair's father who has been missing for 15 years.

Detective Mike Hammer's investigation of a murder puts him in the middle between warring jewel thieves.

Private eye Mike Hammer tries to clear his friend, Captain Chambers, who has been framed for cocaine possession.

Mickey Spillane's hard-hitting '50s private eye, Mike Hammer, returns to television in the guise of Kevin Dobson to track down the killer of his best friend who was driving Hammer's car. Joining in the hunt are the detective's Girl Friday, the ever-hopeful Velda, and his cop friend, Pat Chambers.

Mike Hammer is kidnapped and led to believe it is the work of a Las Vegas entertainer, but soon realises somebody else is involved.

Private eye Mike Hammer probes his long-lost love's death while seeking their daughter.

Mystery writer Mickey Spillane tries to help Clyde Beatty deal with a plot to sabotage his circus.

Action-packed espionage thriller based on a book by Mickey Spillane. A man who has been framed for a large-scale robbery escapes from prison, but is caught and given a choice between returning behind bars and working for the CIA. He is enlisted to rescue a scientist from a dictator-run island, disguised as a drug dealer with another agent posing as his wife, while simultaneously plotting to prove his innocence.

After escaping a lethal injection for the murders Mommy (Patty McCormack) had committed, she is given a special implant in her arm that will keep her from having homicidal urges. However, since she still tries to see her daughter and other murders are continuing, it doesn't look very good for Mommy.

In this half-hour unsold pilot, private eye Mike Hammer embarks on a righteous quest for vengeance over the death of his newsboy pal in a mob hit.

Filled with humor and defining experiences in both his own life and in the lives of some of his closest friends, William Faulkner and Robert Aldrich, as well as on his late wife, screenwriter Silvia Richards, Mr. Bezzerides offers colorful reflections as to why he and his typewriter unabashedly need to keep creating honest characters, worlds, and stories. Through recently discovered boxes of photographs, film clips, the haunting music by Fugazi, interviews (including Jules Dassin, Mickey Spillane and Barry Gifford) and testaments to his progressive creativity from other writers, Fay Lellios' straight-ahead documentary gives us a start in discovering this 97-year-old proletariat storyteller, and the meaning of his favorite phrase by Carl Jung, "There can be no birth of consciousness without pain."

Edited from two dress rehearsals and a live stage performance, Encore for Murder is a Golden Age Radio-style production of the Spillane/Collins script produced in Owensboro, Kentucky, and Clearwater, Florida, starring Gary Sandy (WKRP In Cincinatti) as Mike Hammer.

Columbo is a friendly, verbose, disheveled-looking police detective who is consistently underestimated by his suspects. Despite his unprepossessing appearance and apparent absentmindedness, he shrewdly solves all of his cases and secures all evidence needed for indictment. His formidable eye for detail and meticulously dedicated approach often become clear to the killer only late in the storyline.

A neo-noir anthology television series, set in somber Los Angeles right after World War II and before the election of American President John F. Kennedy. The episodes, although filmed in color, mimicked what had been done by Hollywood filmmakers during the film noir era of the 1940s and 1950s in terms of tone, look, and story content.

Private detective Mike Hammer hunts down criminals on the mean streets of New York City.

Detective Mike Hammer uses his savvy grit against deceptive enemies in Southern California.