Andrew Kötting

Beginning in the pitch-black early hours of a September morning, the film follows a 14hr 17min cross-channel relay swim that I made along with my brothers Mark and Joey, a friend Ian Dale, the actor and comedian Sean Lock (Smart Alek and co-writer of This Filthy Earth) and the actor Tchili (This Filthy Earth and Ivul). The attempt was witnessed by the writer and wordsmith Iain Sinclair and is narrated by Eden Kötting. The film came about in 2006 (the 10 year anniversary since the release of the original film Gallivant) and the chance discovery of a boat called The Gallivant, which offered to shadow us across the Channel as a support vessel. Flotsam and jetsam in the form of conversations, field recordings and the voices of Gladys and Eden from the original film invade. The film shows scenes of explicit vomiting.

Director Andrew Kötting and writer Iain Sinclair sail a swan-shaped pedalo from Hastings to Hackney in London in the build-up to the 2012 Olympic Games.

‘A few drops of pond water rich in bottom sediments, seen under a microscope can quickly confirm the existence of another world. This is the Kingdom of Protista and like all living things it needs to try to suck itself off.’

IVUL is the extraordinary story of Alex (Jacob Auzanneau), a young man who climbs on to the roof of his house and refuses to ever come back down to earth. His actions devastate his beloved family and we watch as their world falls apart. A dark and mysterious gardener (Tchili from This Filthy Earth) keeps watch over the family but is powerless to exorcise the curse that he feels has befallen them. Meanwhile the twin sisters (Manon and Capucine) provide light but sometimes macabre relief. The world of IVUL is a world of both fairytale and nightmare with the family manor house and forest landscape providing a compelling backdrop to the story.

Andrew Kötting's film retraces John Clare's journey from Epping Forest to Northamptonshire accompanied by a straw bear.

In 1972 a family are on their way for a holiday in Essex. The parents argue and the son swears, making obscene gestures. So the father throws him out, drives on and crashes the car. The grandmother flags down a car with three men in it. Too late she recognises one as the man who shot a neighbour...

The last day of creation. A stranger arrives in London. No one knows who he is or where he has come from. By the time he leaves, the entire universe will have been erased.

A documentary examining the causes and effects of Joubert syndrome – a rare hereditary brain disorder, which affects both the motor and intellectual development of its sufferers.

The tragic story of two sisters whose lives are disrupted by two men. Amidst a landscape of rural hardship and a community consumed with superstition, events unfurl which threaten their sibling bond.

An ironic yet reverential view of a Gypsy horse fair in the 'wilds' of the English countryside

A collection of films from an eclectic array of contributors commissioned to raise funds for the Bristol independent cinema The Cube.

Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.

Shot in Nunhead Cemetery, South East London with Heilco Van der Ploeug and Leila McMillan. Designed to run as a super 8 projection for the performances that we were making in and around London as BEING KARNAL. Music BEING KARNAL (Heilco Van der Ploeug and Andrew Kotting)

Edith Walks is a 60 minute 66 second feature film inspired by a walk from Waltham Abbey in Essex via Battle Abbey to St Leonards-on-Sea in East Sussex. The film documents a pilgrimage in memory of Edith Swan Neck. The 108 mile journey, as the crow flies, allows the audience to reflect upon all things Edith. A conversation in Northampton between Alan Moore, Iain Sinclair and Edith Swan Neck is also a key element to the unfolding 'story'. With images shot using digital super 8 iPhone's and sound recorded using a specially constructed music box with a boom microphone the film unfolds chronologically but in a completely unpredictable way. The numerous encounters and impromptu performances en route are proof, as if needed, that the angels of happenstance were to looking down upon the troop, with EDITH as their hallucination

A walk through England’s south coast evokes the artists who lived and worked there.

Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.

Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.

EDITH LOOPS is a reflection upon all things Edith Swan Neck and her role as the great visionary and Pagan Queen to the muddled British Isles in the wake of The Battle of Hastings 950 years ago.

Back stroke butterfly, front crawl and bras, we are awash in an ocean of bubbles. Meanwhile Captain Ahab sets sail on his magic carpet in search of the whale. All is not well in the world but Eden is there, fresh from her garden, tuning into “The Far Away Land”. We are deep in the cloud of our own making but help is at hand, and everything might yet be alright.

Part home movie, part road movie, Kötting's riveting and eccentric film stars his 85-year-old grandmother Gladys - opinionated, bursting with anecdotes and contradictory reminiscences – and Eden, his eight-year-old daughter with Joubert syndrome, as they take a zig-zagging 6,000 mile trip in their campervan around Britain's coastline.

From London to the far reaches of Scotland, the journey in the form of a quest for a whalebone box, related to its place of origin.

FORGOTTEN THE QUEEN is a short animated film that digs into themes inspired by the life of Edith Swan Neck. Eden’s drawings and collages are brought to life by Glenn Whiting and tossed into the time-line like flotsam from a demented passion. Meantime Edith’s eyes fix on the man-shadows overhead, resplendent in their didactic belief systems and stupid hats, which seem to have blighted women since the beginning of time. King Harold would not have approved because despite the fact that time itself can touch you like a feather, stupid men keep firing their bloody arrows.

"This film, like everything else nowadays, is magic. I don’t know where he originated from but he’s been sound in our family for years and years and years."

In the Wake of a Deadad is Kötting's powerful, often uncomfortable reflection on the recent death of his father. His Deadad.