Manuel Martín Cuenca

A film work made up of two different documentaries based on the same concept, made about and with the participation of Manuel Fraga and Santiago Carrillo.

Carlos is a respectable man, the most prestigious tailor in Granada, Spain. His life is reduced to work and his main hobby is eating; but not just anything.

Antonio, a television scriptwriter, decides to separate from Ana, his wife, with whom he has three children in common.

A reunion with his family provides a clue into the cause of one man's lonely life in this drama from filmmaker Manuel Martin Cuenca. Oscar lives in a barren section of Almeria, Spain, where he works as a guard at a salt mine. Oscar's days are governed by a monotonous routine: he goes to work, has lunch with fellow guard Miguel, finishes work, visits his dying grandfather at a hospice, and then goes home. While he sometimes spends his evenings with a woman, it's clear their relationship is not a close one. One day, Oscar gets word that grandfather has been transferred to a hospital, and his sister Maria, who now lives in Paris, comes to Almeria to pay the old man a visit. Maria, who is expecting a baby, is accompanied by her boyfriend Jean , who tries to keep a distance between the two siblings. It becomes clear that Oscar and Maria share an ugly secret that she wants to keep hidden at all costs, leading to an grim tension that grows between her and her brother.

When the troubled son of an NGO worker refuses to take a test and announces that he is not leaving his room, his concerned mother asks one of her clients, a Cuban exile, for help in setting the boy straight. Gonzalo has decided to drop out of school, and his mother Ana isn't sure how to convince the boy that he's making a crucial mistake. Ana's client Carlos is a Cuban exile who makes his living selling cigars and artwork on the black market. When Carlos learns of Ana's dilemma, he calls on recently released convict Mikel to teach the boy how to play chess. Perhaps is young Gonzalo can master the game, he can learn to start living again. As the lessons get underway, each of these characters learns that in order to truly move on with their lives they much first break free of the bonds that prevent them from being who they really are.

Álvaro, a man obsessed with the idea of writing what he brands as “high literature,” manipulates the lives and feelings of the people around him to write about the consequences caused by his devious acts.

Before a man can kill his nagging wife as planned, she disappears and he's charged with murder.