Xavier de Rosnay

Kelly, Dan and Louis are students at a prestigious business school, destined to become tomorrow's elite. The industrious trio are determined to start putting their education into practise from the off in an attempt to make as much money as they can from their fellow students. Working on the theory that relationships between the sexes can be regulated by market principles, they begin to inflate the popularity of certain individuals artificially, by hiring beautiful and sexy off-campus women as their dates for exclusive and riotous college parties. However their perfect business model soon spirals out of control as their moneymaking scheme takes off in a big way across campus.

During the three weeks of Justice's March 2008 North American tour, Romain Gavras, So Me and the band themselves tape every second of their escapades across the country and the chaos that ensued.

This is a 60-minute film of Justice’s 2017-2018 live show, recorded in an empty and invisible space without an audience, focusing exclusively on the impressive production and music. The show has been seen by millions of people around the world. It revolves around a floating structure comprised of 13 independent moving frames, each one featuring 4 rotating panels of LEDs, mirrors and traditional warm lights which offer infinite combinations. The structure is in constant evolution over the duration of the show and proposes several new visual landscapes on every track performed. The footage is captured with the precision and patience of a rigorous documentary about the cosmos.

Self-taught composer, turntable prodigy, and visionary producer, DJ Mehdi was the only French artist to bridge the gap between two seemingly opposing worlds: rap and electro. Thirteen years after his sudden passing, this documentary series, directed by his childhood friend Thibaut de Longeville, sheds light on the role of this free spirit in the rise of these two musical scenes in France during the 1990s and 2000s.