Takashi Koizumi

Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.

Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.

An elderly Nagasaki hibakusha spends a summer caring for her four grandchildren, whose curiosity about the 1945 bombing stirs buried memories and moral questions. When an American nephew from Hawaii visits, the family confronts grief, guilt, and the possibility of reconciliation across generations.

A military explorer meets and befriends a Goldi man in Russia’s unmapped forests. A deep and abiding bond evolves between the two men, one civilized in the usual sense, the other at home in the glacial Siberian woods.

A group of travelers is stranded in a small country inn when the river floods during heavy rains. As the bad weather continues, tensions rise amongst the trapped travelers.

During the Edo period, a gifted swordsman was exiled from his clan when he questioned the misconduct of his leader. Years after, his dying wife wish was for him to go back to his clan.

This film depicts the life of the 19th-century Portuguese writer Wenceslau De Moraes by means of nine ancient ballads from China. The writer married a Chinese woman after he left his wife and family to go live in Macao. Later, he moved to Japan where he fell in love with a Japanese woman, staying in Japan for the rest of his life. Mixed in with the career and loves of Moraes is the history of Portugal at home and in its colonies.

This is the story between single mother housekeeper and mathematics professor,who has a brain damage.