Can Togay

Using high-school students, Hungarian director Ferenc Kardos re-created the 1848 revolutionary period in that country's history which was dominated by the poet/soldier Sandor Petofi (1822-1849). Petofi wrote many epic poems which inspired Hungarian nationalism, the most well-known of which is Up Magyar! The students were encouraged to improvise without costumes or scenery, and did so with gusto.

A former Marine sniper is lured back in on a top-secret mission to take out a rogue general accused of running a stealth operation of hit-and-run ethnic cleansing missions in an area known as "No Man's Land."

Ben Kline is an American television star and a bankable name, who is cast to portray the Hungarian writer Miklos Radnoti, whose journal of poems was found with his body, buried in one of Hungary’s mass graves. Kline is also the son of a Holocaust survivor and has long resented his father’s refusal to speak about the War. Now given the opportunity to play the role of a hero, but faced with the reality of a victim, the boundaries between truth and illusion begin to blur.

A young refugee, Aryan, is shot while illegally trying to cross the Hungarian border. While tending him back to health, a doctor at a refugee camp discovers that Aryan has gained an extraordinary talent—he can levitate. Aryan is smuggled out by the doctor, who is intent on exploiting his secret.

Without apparent connections between them, the maker of this experimental film alleges that there is a story in the series of incidents which punctuate this movie, aside from the fact that they all take place in a rural village. In one, Children explore their sexual feelings together; in another, a married man and his wife have a tiff and then make love, but then the wife is found dead. Coming in from the city by hitchhiking, a young man is visiting his mother for the summer. All these potentially related stories are interspersed with scenes from a black-and-white African documentary.

An unusual story of a triangular relationship in Vienna. A woman shares an apartment with a man named Malina. The woman meets Ivan and falls under his spell. It will be her last great passion. Her feelings are so strong and all-encompassing that Ivan can neither understand nor return them.

Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.

A lively film about Galata's notorious prostitute, Fosforlu Cevriye, who had endured a life of suffering, taking in a wounded man she met in the boat where she was hiding from the police, nursing him back to health in her home, and then falling in love with him.

What if the unexpected becomes your faith? Would you lay claim to it and stay or would you run away? International Performer Yasar Nur has arrived in London the night before her concert and a few days away from the New Year. A formidable destination for Yasar, and one that will resurface a history best left forgotten, on a night that can change it all. Pain, responsibility, decision and courage get Yasar through the night in her hotel room where communication becomes hope for everyone involved. What will happen when an old friend is forced to give Yasar a great responsibility she may be unable to handle, or when a disturbed and powerful fan decides to change his life by meeting his obsession face to face, or when a disheartened husband makes a drastic decision to end his pain and set his wife free? The actions of one young man will bring these characters together and force them to communicate firstly with themselves, and then with each other, and only some will survive

Eva Kerezkes is a young woman who lives alone in her apartment. After her parents' death, she was adopted by writer Tibor and his wife, Klara. Upon returning from a holiday in Italy, Eva performs various tasks around her apartment that reveal haunting information about her past sexual relationship with Tibor.

This epic story takes place between 1820 and 1860 during the Habsburg Monarchy, and portrays the life one of the greatest Hungarian aristocrats - Count Széchenyi - who was born with extra-ordinary mental and spiritual talents. In the years following the fall of Napoleon the young count Széchenyi irresponsibly seduces his brother's wife, and the consequent scandal ruins his career as an army officer. After the sudden death of his humiliated lover Count Széchenyi drastically changes his character from that of a shallow young man into a responsible nobleman seeking to conquer his fate by creating great achievements in his remaining life.

During World War II Eszter has to choose: she either follows her husband abroad, who is chased by the Gestapo or stays with her daughter from her first marriage.

The director, with his usual bittersweet style, began to present a slice of the regime change, using the original diary of the Petőfi Socialist Brigade in Szentes. The film focuses on community cohesion, survival and creative solutions in the era of the deficit economy and socialist planned economy, aiming to not only delve into the past, but also to appeal to the younger generation with its humour and to show them the sometimes burlesque-like everyday life of the 1970s and 1980s.

In the year of change in Eastern Europe, in a remote village, the regular movie show, scheduled once a week, terminates due to the motor courier’s being killed in an accident. The children find the scattered film containers, and along with the old reels left in their place they play the films they have seen so often before.