Romed Wyder

No coffee, no TV, no sex is a dramatic comedy. It is the story of Arno, a 27 year old living in the Geneva squats. His best friend, Maurizio, obtained a residence permit for Switzerland through an convenience wedding. Nina, Maurizio’s girlfriend, is French but would also like to live in Geneva: she faces the same administrative obstacle. In order for her to obtain a permit, Maurizio convinces Arno, for the sake of their friendship, to marry her out of convenience. Reluctantly, Arno accepts and Maurizio, unsuspecting, leaves for a few days. Alone with Nina, Arno, usually shy with women, falls in love with her. She falls in love with him. When Maurizio returns, Arno cannot hide the truth from him. He and Nina end up telling him about their relationship. They reconsider the arrangement and try to settle the dilemma together…

To protect themselves from a mysterious virus that turns women into men, a family retreats to an alpine chalet. Their desire to preserve the female sex within the family leads them down a path of radicalization. The descent into inhumanity unfolds almost imperceptibly, and patterns of behavior long thought to be outgrown resurface. Better able to cope with protogyny, the children offer a small glimmer of hope.

Two guys against globalization want to plant a virus in the network of a finance corporation. On the day of the attack Alex has an accident and cannot remember anything. Visions and reality are thrown together in a confusing maze. Alex tries to escape from this muddle but what he discovers turns out to be rather frightening…

The film returns to the origins of the creation of the State of Israel (from 1896 to 1948) and highlights the responsibility of the Western World.

In the middle of a midlife crisis, Sacha leaves his girlfriend and moves into his grandparents' Airbnb. There he meets Marjan, a married Iranian woman. The involuntary encounter becomes a moment of new possibilities.

The story is set in Palestine in 1947, during the British mandate period. The Zionists are fighting for the establishment of a Jewish state, and four comrades in arms pressure the young Elisha to overcome his moral qualms and fully commit to the armed struggle.

A film by Séverine Barde, adapted from Dorian Rossel's play, based on Ingmar Bergman's fictional autobiography. A powerful self-portrait, at the crossroads of theater and cinema, from the collection De la scène à l'écran.