Verónica Langer

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

Being kidnapped shatters a brother and sister's harmony, forcing them to confront their desires.

Pilar loses the one thing in life that mattered to her and, from that moment on time stops. The present begins blending with the past, and the heroine withdraws into a world of her own. An intimate drama about the extreme emotions connected to the loss of someone on whom our lives depend.

Sent to Mexico to help take care of aging Father Benito, young Father Amaro faces a moral challenge when he meets a 16-year-old girl who he starts an affair with. Likewise, the girl's mother had been having an affair with Father Benito. Father Amaro must choose between a holy or sinful life.

At 18, fresh from high school, Marina, Ignacio, Adam and Mimi, school mates bonded by fate, shared a dream about adult life, a dream of fame, success, perfect skin and that one endless, true love that, surely, was waiting just around the corner for each one of them. But 30's arrived, and none of the sweet promises of youth was fulfilled. Alone, failed and frustrated, all four are forced to stop and look around to try to understand where it all went wrong, and find an emergency fix for their lives, before it's too late, and happiness escapes through their fingers forever. Secondary Effects is the bitter coming of age comedy that follows their steps in the search for lost dreams, lost hair and good sex, at least, if true love turns out to be a mirage.

Defiant 18-year-old Adela León pushes her father and an unbending headmistress to the limit in this delicious comedy.

After surgery leaves lawyer Raúl without his tongue, he struggles to adapt to life and his changing relationships. His housekeeper, Elodia, gifts him a swearing parrot that becomes his quirky confidant while she takes on the role of his unconventional caregiver, relying on miracle cures and prayers.

An ad creative and a successful exec have a great marriage — until he wants to be a dad just as her star is rising. Then he brings someone new home.

Manuel and Lupe want to have a baby. When Manuel discovers he is infertile, he starts to fall apart both physically and emotionally. After exploring several options, Manuel turns to Rubén, his new friend, to act as their donor.

Lucía and Nico, the couple of the century, are about to say yes... although not with each other. It turns out that they both decided to get married on the same day and in the same place, but with other people.

On a whim, a retired gentleman decides to track down an old girlfriend from decades back.

The beautiful and popular movie star Miroslava is depressed tonight. As she prepares her suicide, her entire life is revealed on screen in a disturbing portrait of a lonely woman.

The de la Mora siblings publicly mourn the death of their mother amid multiple surprises and mishaps at Virginia's funeral.

At 7:19 a.m., on September 19th of 1985, the most destructive earthquake hit Mexico City. Inside what's left of a building, a group of survivors fight for their lives waiting for rescue.

When a Mexican film director becomes fed up with the crime and corruption in his homeland, he decides to single-handedly take on a powerful band of criminals.

Glasgow-based artist Phil Collins’s film Soy Mi Madre examines the immigrant populations of Colorado’s Roaring Fork Valley, a sizable percentage of which hail from northwestern Mexico. The region relies heavily on service and maintenance work provided largely through this population, who often commute to work in Aspen. Loosely inspired by Jean Genet’s The Maids—a seminal example of Theatre of the Absurd that renders surreal the intricate power dynamics that exist between people of divergent socioeconomic groups and exploits the volatility of social identity—Soy Mi Madre portrays the social realities of this region through the melodramatic lens of the telenovela. Reproduced in this volume through a generous selection of stills, the film uses popular Mexican television actors and crew, including Patricia Reyes Spindola, Zaide Silvia Guitérrez, Veronica Langer, and Salvador Parra, as well as members of the transsexual prostitute community of Mexico City.

Jose learns that Nora, the woman he was married to for 30 years and from whom divorced, has committed suicide. The rabbi explains Joseph that due to the celebrations this time of the year, if Nora is not buried that same day, they should wait at least 5 days for the funeral. Nora had planned before his death, a Machiavellian plan in order that Joseph was the one who has to take care of his funeral. But Nora forgot a small detail, a mysterious photograph stored under her bed, that will remind Joseph that the greatest love stories, sometimes are hidden in the smallest places.

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.

In 2012, Charly leaves Nicolás minutes before getting married and moves to another country. Heartbroken, he writes to her a letter where predicts an unhappy life of complete solitude. Ten years later, fate brings them together again at the wedding of Rocío, her best friend, and Diego, her brother, where they will face that their love story is not over yet.

Unable to cope with the fact that his girlfriend cheated on him with his best friend, a 22-year-old schizophrenic sets an elaborate revenge plan into motion before taking his own life.

Mr. Balboa had a heartless grandson who, at the time, was kicked out of the house (a fact concealed from his wife). Since then he had forwarded himself letters sent in theory by his grandson in order to please his wife. The real grandson decides to go home (looking for money) but the boat where he was traveling sinks. Balboa hires an impersonator and master of beneficial illusions (Mauritius) and together with a cute girl (Isabel), they pretend to be the missing grandson and his "happy wife" to the grandmother, who is very pleased with the guest. But then comes the surprise...the real grandson is alive and he is on his way to return home.

Claudia is a troubled teen confined in a very particular support center ruled with roughness by renowned psychiatrist Bernarda Alquicira. Coexisting with girls who have experienced similar trances, Claudia confronts horrible visions of Andrea, a beautiful intern who committed suicide a year ago. Another strange patient -Josefina- and doctor Lucia Franyutti -the right arm of Bernarda- seem to know the key to the bizarre return of Andrea, but even they are disturbed by the supernatural events that take place when the wind starts to blow.

Mirada de mujer is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 1997, based in the Colombian telenovela of 1994 " Señora Isabel". It is considered one of the best Telenovelas in the history of the television industry in Mexico. It came a year after TV Azteca's first telenovela, Nada personal and was the first telenovela in that TV station for its five mayor stars, who had been working for the rival station, Televisa, prior to this production. In 2003 the sequel for this telenovela Mirada de mujer: El Regreso was produced. This telenovela can be dated so far as the only TV Azteca telenovela that got the TVyNovelas Award as Best Telenovela of the Year in a shocking moment, making Televisa know to the audience the respect that got over his competitor product as long as the TVyNovelas Awards are only given to Televisa programs. Aside from enjoying wide viewership in Latin America, it was also broadcast in countries like Afghanistan and Israel and Eastern Europe. In India, this was shown by Sahara TV, dubbed in Hindi, under the title of Maria.

Mirada de mujer: El regreso is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 2003. It is the sequel of Mirada de Mujer.

Elisa Cantú never imagined that, upon returning to Mexico from New York, where she resides, she would encounter an unexpected tragedy that changes her life. The night Elisa would celebrate her birthday, fate leads her to meet Leonardo Velasco, a policeman in love with Julia, a teacher, to whom he was to marry. At the end of the evening, Leonardo receives an emergency call, in which the discovery of two bodies is reported, one of them is that of his fiancée, who lies next to the body of Augusto Cantú, millionaire businessman and father of Elisa. Elisa and Leonardo will come together to search for the truth of what happened.

A wealthy matriarch tries to maintain her family's facade of perfection after her husband's mistress exposes their dirty secrets.

Casa Colorada is a hotel where love and revenge converge. Three women will take us to the most intimate of their lives and that of their guests, to their loves and heartbreaks. Through them we will witness that the bond of friendship is more powerful than your fears, disappointments and even your own passions.

A widower and father of three is on the verge of ruin, but he inherits an unexpected fortune from his uncle. But the money comes with one condition: that his family takes care of Chueco, an adult chimpanzee who has a huge secret: he can talk. Hiding this won't be easy, because the chimpanzee never shuts up and will get the family in all sorts of trouble.

La Otra Cara del Alma, previously known as Ángel Caído, La Otra Cara de Alma and El Otro Lado del alma, is a Mexican telenovela produced by Azteca. It stars Gabriela Spanic, Eduardo Capetillo, Michelle Vieth, Jorge Alberti, Amaranta Ruiz, Ramiro Huerta, Sergio Klainer and Saby Kamalich. It is a remake of El angel caido which starred Rebecca Jones, produced by Televisa in 1985. From November 12, 2012 to May 10, 2013, Azteca Trece broadcast La Otra Cara de Alma, Monday thru Friday at 8:30pm, replacing Amor Cautivo.

"Hasta que Te Conocí" unravels the life of the Divo de Juárez: Juan Gabriel. Gabriel's extraordinary talent as a singer-songwriter allowed him to rise above poverty, betrayal, and prejudice, eventually making him one the most beloved performers in all of Ibero-America.

For the Navarro family, appearances are everything. But after the sudden death of Alberto, the family patriarch, their carefully constructed façade begins to crumble. Doña Telma takes control of the family fortune and reputation while struggling to contain the conflicts among her children, whose betrayals, ambitions, and reckless decisions bring them dangerously close to crime.​ Amid secrets, deception, marriages of convenience, and forbidden relationships, the Navarro family is drawn into a spiral of chaos. Yet Doña Telma’s greatest challenge will be the progression of Alzheimer’s disease, a silent threat that could erase not only her memories, but also the secrets holding her family together.

We all have someone that we obsess over. We all are capable of loving irrationally what we don’t have and construct an unattainable charm in the people we admire. Sometimes we want to be someone else, to be with someone else. Sometimes we settle on appreciating from afar. Other times, we seek out an encounter. To be a fan means, by definition, to be on unequal terms. One loves beforehand, falling for a facade that could very well be invented. This mexican romcom explores these feelings in depth as examined through the eyes of a fan.