Erik Crone

In 1945 Germany, following the end of World War II, Leopold Kessler, an American of German descent, is hired by his uncle as a sleeping car conductor on the Zentropa train line. Leopold's wish is to be neutral to the ongoing purges of loyalists by Allied forces and do what he can to help a hurting country, but ultimately finds himself being used by both sides.

Hodder is nine years old. He lives on his own with his father, who works nights as a bill poster. One night a fairy appears to Hodder and asks him to save the world.

After his girlfriend is killed in an automobile accident, a man decides the best revenge on those responsible is to murder their loved ones.

Egon escapes from the psychiatric ward, where he has been incarcerated since the gang's last coup. Keld and Benny pick him up, and when Egon, as always, is planning the big heist, the Olsen Gang is once again on the move.

Knut Hamsun is Norway's most famous and admired author. Ever since he was young he has hated the English for the starvation they caused Norway during WWI. When the Germans occupy Norway 9 April 1940 he welcomes them and the protection they can give from Great Britain. He supports the national socialist ideals, but opposes the way these ideals are turned into action - that Norwegians are jailed and executed. His wife Marie travels in Germany during the war as a sign of support from Knut and herself.

Dad's outdoor skills are put to the test when the family goes on a weekend trip to Sweden. The family is visiting Annika, Dad's cousin, whose birthday coincides with this year's midsummer festival. Annika has a nature park, and Dad is looking forward to showing the children where he used to play as a boy. Uncle Anders seizes the opportunity, puts on his old scout shirt, and finds his compass.

A powerful modern film narrative, set in a historical framework, about the crucial encounter between vulnerable eighteen-year-old Hans Christian Andersen, who rates himself so highly, and Mr. Meisling, the cynical school principal. An encounter that fundamentally transforms Hans Christian's life.

'PROTO' is a sci-fi action adventure, about a child-like, experimental robot, set in the robotics lab where he has been built. Although PROTO has been made to fulfill the ambitions of his creator, Prof. Andrews, he learns to find his own dreams and ambitions, and also the strength needed to realise them. The main theme of the film is freedom, both literal and in the ability to choose one's own destiny - to break free of expectations. We wish for the film, while an exciting and fun science fiction, to also capture a magical sense of wonder. PROTO will overcome the expectations and restrictions placed on him and discovering his true self.

The terrorism from a juvenile gang culminate when the gang leader kills a gang member who want to leave the gang.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

Based upon the novel "Hærværk" by Tom Kristensen about the self destructive person. The literary reviewer Ole Jastrau chooses to free himself from his well-ordered middle class life. He allow the seriously left-wing writer Steffensen move in with himself which soon causes disintegration of his home an marriage.

Inspired by real-life Elsa Andersson, this mostly fictional movie tells the story of her upbringing as a farmer's daughter, in the early 1900s, who dreams of getting away from the farm and becoming an aviatrix.

After a stay in a sanatorium due to violent behavior during an arrest, Detective Karl Jørgensen is transferred to the fraud department. Here, Karl discovers a case involving his ex-wife and her new husband. When Karl begins to investigate the case, he is stopped by the police chief. Karl teams up with journalist John Bullnes. They gradually get closer to the truth, but are stopped when a suspect commits suicide. Karl is suspended and Bullnes is sent to Berlin on an assignment. Karl then takes the case into his own hands and arrests the city's mayor and a major contractor.

Master Spag rejoices when he is offered the position of house teacher for the baroness’ two sons. However, he is hardly inside the door before the naughty boys start running circles around him. (Stumfilm.dk)

Three troublemakers, one clumsy maid and the strictest madam in town – everything is as usual at the “Peace and Quiet” boarding house. That is, until the madam of the house grows tired of the maid and authorises her three boarders to find her a replacement while she’s visiting a friend. After a wild night out, the three gentlemen return with three cute girl under their arms. When madam returns home earlier than expected, all three troublemakers come up with the same brilliant cock-and-bull story – that their girl is the new maid. (Stumfilm.dk)

The ABCinema group dispatched Jørgen Leth to make the arrangements with Prime Minister Jens Otto Krag, who good-naturedly put himself at their disposal. Relaxing on a bench in the garden of Copenhagen's Royal Academy of Fine Arts, Krag is scrutinised by camera-wielding collective members almost like a model in a life-drawing class. Every possible angle, distance and framing is tried. The result is an image of the prime minister that is both fragmented and multi-facetted, describing his visual appearance as a man and an icon. At the same time, the ABCinema members film each other filming Krag, which gives the film a highly self-reflective character. Like "The Deer Garden," this is a film about a film being filmed. A showdown with the documentary portrait genre, "Jens Otto Krag" is devised according to the principle of keeping the material alive by not editing it but randomly piecing it together. (DFI)