Morten Arnfred

In a small, conservative Scottish village, an oilman is paralyzed in an accident. His wife, who prayed for his return, feels guilty; even more, when he urges her to have sex with another.

At The Kingdom, Denmark's most technologically advanced hospital, a number of strange and otherworldly events begin occurring, much to the dismay of its doctors and patients. A ghostly ambulance appears and disappears, the voice of a little girl calls to a patient in an elevator shaft, and a doctor's fetus begins growing at an alarming rate.

The mutant fetus is born. Dr. Helmer comes under heavy scrutiny for a botched operation that left a patient braindead, and begins to dabble in the dark arts in order to ward off those seeking an end to his career. Hypochondriac Mrs. Drusse finally does have something bad happen to her medically when an ambulance hits her.

A serial killer that decapitates people is on the loose in the Stockholm subway. Martin Beck and his colleagues try to catch the killer, while the panic in the city increases.

Anders Refn's film adaptation of Gustav Wied's novel stars Jens Okking and Helle Hertz in the leading roles as Baron Helmuth and his wife Alvilda. The baron is deeply enamored with his wife, but she is repelled by his blunt and coarse nature and is drawn to her cousin, who fulfills her desire for passionate romance.

Kim, an ordinary 15-year-old given mostly to himself, is living with an unmarried mother in a small apartment. One day, he falls hostage in a bank robbery along with an unfamiliar girl falls, but after making ​​friends with the leader of the robbers, Kim and his new friend run away from them. Settling for a while in an empty house, teenagers fall in love.

When a secretary at the Danish embassy in Russia dies in suspicious circumstances, the local police seem determined to close the case. But diplomat Jack Anderson, who has been brought in to observe, falls for a beautiful singer with ties to the murder and begins his own investigation.

Steffen is a good kid, a teenager who has recently finished school and is looking for work. He lives with his widowed mother, a newspaper reporter. Very little throws him off his stride, whether it is his girlfriend's jealousy of his friendship with Charly, a reform-school boy, or his mother's drunken, playful amorousness one night, because he reminds her of his father.

When parliamentary officer Bertelsen finds the body of a man in a light box at Christiansborg one day, he is immediately given time off with official silence, while a murder investigation is kept secret from the press. The dead man appears to be an international arms dealer, and the government has a problem explaining itself.

Egon escapes from the psychiatric ward, where he has been incarcerated since the gang's last coup. Keld and Benny pick him up, and when Egon, as always, is planning the big heist, the Olsen Gang is once again on the move.

A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman follow von Trier during a period of more than two years, meet him at work, at home and at leisure. Written by Fredrik Klasson

Morten Arnfred's warm comedy Lykkevej (Move Me) begins with Sara (Birthe Neumann) being left by her husband of a quarter century. Sara gets a job and moves into a new home on a street populated by eccentrics. Neighbor Robert (Jesper Lohmann) showers in his backyard, has been in mourning since his wife's death, and annoys his neighbors by keeping junk on his front yard. Sara and Robert tentatively strike up a relationship, while a couple on the street, Sus and Bo (Ditte Grbl and Asger Reher), have their own marriage issues to deal with. Move Me was screened at the Gothenburg Film Festival.

Anne has started a wedding planning biz with happily flaming designer Lars and grumpy accountant Jesper. Hoping to make a big public splash, they land upcoming event that will marry TV chat hosts Anders and Signe. Instant attraction between Anne and Anders is complicated even further by her planned nuptials with boring b.f. Simon.

From a working class coming-of-age novel, Morten Arnfred fashioned his feature film to recapture the feel, the sting, the pain, but also the spirit of solidarity of the 1950s in the metropolitan city of Copenhagen: at the center, young Johnny, helpless, hapless, happy, unhappy, going through the motions of growing up. Bodil awards: Best Film and Best Actor (Allan Olsen).

Knud is a farmer and dreams of running the farm together with his wife. He has both ideas and drive, but his finances are not the best.

A boy, as seen through three ages and episodes of his life: as a small boy having a boy cousin as his house guest, as a high-school boy in abject love, and as a young stud trying to bed down a nurse.

After a stay in a sanatorium due to violent behavior during an arrest, Detective Karl Jørgensen is transferred to the fraud department. Here, Karl discovers a case involving his ex-wife and her new husband. When Karl begins to investigate the case, he is stopped by the police chief. Karl teams up with journalist John Bullnes. They gradually get closer to the truth, but are stopped when a suspect commits suicide. Karl is suspended and Bullnes is sent to Berlin on an assignment. Karl then takes the case into his own hands and arrests the city's mayor and a major contractor.

Maria grows up in a seedy 1960s working class neighborhood, the daughter of an ambitious emigrant father and soon caught up in her own dangerously one track-minded pursuit of a violinist's career. A rich gallery of highly original characters contribute, for better and for worse, to Maria's coming of age. Based on Kirsten Thorup's critically acclaimed 1982 novel, filmed by Morten Arnfred.

Kirsten gets divorced in her early 40s and moves with her son to her parents' home in Hjørring. Here she falls in love with a German officer, without considering the social ostracism and contempt she exposes herself to. Meanwhile, the tide of war is slowly turning, and German victory is no longer as certain as it once was.

A grotesque, raw and vulnerable fusion of three bodies. Explores our intense urge for intimacy and touch and the relationship between our loving and destructive impulses.

When a body is found on the bridge between Denmark and Sweden, right on the border, Danish inspector Martin Rohde and Swedish Saga Norén have to share jurisdiction and work together to find the killer.

The Killing is a Danish police procedural set in the Copenhagen main police department and revolves around Detective Inspector Sarah Lund and her team, with each season series following a different murder case day-by-day and a one-hour episode covering twenty-four hours of the investigation. The series is noted for its plot twists, season-long storylines, dark tone and for giving equal emphasis to the story of the murdered victim's family alongside the police investigation. It has also been singled out for the photography of its Danish setting, and for the acting ability of its cast.

Beck follows Swedish police officer Martin Beck and his team as they investigate various crimes.

The Kingdom is the most technologically advanced hospital in Denmark, a gleaming bastion of medical science. A rash of uncanny occurrences, however, begins to weaken the staff's faith in science – a phantom ambulance pulls in every night, but disappears; voices echo in the elevator shaft; and a pregnant doctor's fetus seems to be developing much faster than is natural.

TAXA is a Danish television drama made by Danmarks Radio with 56 episodes, written by Stig Thorsboe and produced by Rumble Hammerich. The series revolves around a small taxi central, CrownTaxi, in Copenhagen. The series was a success from the start, 14 September 1997 on DR1. The series was broadcast during the period 1997-1999 for a total of five series. CrownTaxi has its ups and downs and in the course of the series, following the various drivers, radio opertor Lizzie and boss Verner Boye-Larsen. They have all their problems both with clients and family life and constantly threaten the show's villain Hermann from the competing taxi firm, City Car, which wants to take over the CrownTaxi. TAXA was also screened in Sweden on SVT1.

A policewoman is doing her best at the job, but struggles to be there for her son.

Court drama about a Copenhagen law office and the cases and personal entanglements of its small group of attorneys.