Jan Nowicki

Jozef visits a dilapidated Sanatorium to see his father. Jozef undertakes a strange journey through the many rooms of the sanatorium, each which conjures worlds composed of his memories, dreams and nightmares.

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

In 1668 Polish colonel Michał Wołodyjowski, who recently retired to a monastery, is recalled to active duty and takes charge of Poland's eastern frontier defenses against invading Tatar hordes and Ottoman armies.

Set during the Nazi occupation of Poland, the story follows Michał, who witnesses the murder of his mother, wife and child and then is hurled into a life that literally is not his own; a surreal world littered with trapdoors, doppelgängers and wormholes.

Looking for a safe place to live after being harassed by her husband, a depressive and violent man, Juli stays at a women's shelter run by Mária.

The world has been ravaged by nuclear war. The planet is frozen and radiation kills anyone or anything that ventures outside of 'The Dome'. Soft is a shepherd for the last remnants of humanity who have gathered together as they await rescue from a mysterious craft known only as 'The Ark.' He wanders among the masses, performing his regular daily tasks; keeping morale from plummeting, wooing prostitutes, squashing rebellions, and sometimes feeding the hungry. But as the true and sinister nature of 'The Dome' comes to light, Soft must ask himself if humanity is worth saving...

The lives of urbanites intertwine in a world where anything can happen at any time.

The law student Caroline and the assistant professor Tom are husband and wife, but they keep their marriage a secret. While Caroline is afraid of annoying her mother Hella who ever since her divorce twenty years ago distrusts men in general, Tom dreads the criticism of his professor, a family law specialist who objects to the concept of marriage. By chance, Caroline gets hold of some juicy information: Her mother and the professor used to be a couple and she is their child. With almost missionary zeal she addresses herself to the task of convincing the two grown-ups to get back together. In the process, however, she steers both her academic studies and her own marriage into a crisis.