Jacques Bilodeau

Two incredibly primitive backwoods types have just been released from prison for kidnapping the local police chief's daughter but still have a hankering for a woman. When they return to their campsite, they discover a woodland nymph whom they both bed and who drives them wild. Jealousy arises.

André and his sister Lucille come from a wealthy family. Both seem attached to Georges, be charismatic, exuberant, charming and self-centered. A vicious man who hates his life and seems to take pleasure in manipulating others in squalid perverse games.

Although he is something of a layabout, and is still living with his mother, her death comes as something of a shock to Louis Pelletier (Gilbert Sicotte). Still, he has hopes of some sort of legacy and believes that his relatives will help him find a job. All his hopes are dashed when, before the funeral, his three aunts come to Quebec City to settle their sister's estate. As grasping and efficient a crew as ever strode a parlor, by the time they leave, the estate has been cleaned to the bones, as if by vultures.

In the countryside of Quebec, a new phenomenon has appeared: violence. How does a handsome, tall, free and peaceful village boy let himself be led down the path of crime?

At the turn of the century, Rose-Aimée, the hard working wife of photographer J.A. Martin, decides to leave her children with an aunt to go with him on his annual tour of the Québec countryside. She hopes the intimacy will rekindle their marriage.

We witness the race for marriage of thousands of young people, wanting at all costs to escape conscription, then we are transported to the war factories and we thus witness the difficulties of work in this place. Then it's the Italian campaign in 1943 and, finally, the return to Quebec where readjustment to civilian life proves more difficult than it seems. These events are experienced and told by the voice of a young man.

A television host tries to react to the process of alienation that the public is subjected to from variety shows.

Bernadette has a yen to chuck it all and go back to nature, in this French-language Canadian film. That's just what she does after carefully leaving her wedding ring where her affluent husband, a lawyer, can see it. She has bought a farm, complete with a run-down farmhouse and a live-in cranky old man. Soon, because of the wonderful effects that her sympathy and her outsider's perspective have, her neighbors perceive great improvements in their lives. They attribute these changes to something miraculous (perhaps taking a cue from her name), and hordes of needy people descend on her farm.