Amir Naderi

Directing

Amir Naderi

Born August 15, 1946 · Abadan, Khuzestan, Iran (age 80)

Amir Naderi was born on August 15, 1946 in Abadan, Iran. He is a director and writer, known for 99 Homes (2014), A, B, C... Manhattan (1997) and The Runner (1984).

Known For

99 Homes99 Homes · 2015
99 Homes
★ 6.82015
MovieDramaCrime
After his family is evicted from their home, proud and desperate construction worker Dennis Nash tries to win his home back by striking a deal with the devil and working for Rick Carver, the corrupt real estate broker who evicted him.
Fahrenheit 451Fahrenheit 451 · 2018
Fahrenheit 451
★ 5.42018
MovieDramaScience Fiction
In an oppressive future, a 'fireman' whose duty is to destroy all books begins to question his task.
Venice 70: Future ReloadedVenice 70: Future Reloaded · 2013
Venice 70: Future Reloaded
★ 5.02013
MovieDramaDocumentary
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
60 Seconds of Solitude in Year Zero60 Seconds of Solitude in Year Zero · 2011
60 Seconds of Solitude in Year Zero
★ 4.22011
MovieDramaComedy
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
A, B, C... ManhattanA, B, C... Manhattan · 1997
A, B, C... Manhattan
★ 5.01997
MovieDrama
Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.
The RunnerThe Runner · 1984
The Runner
★ 7.21984
MovieDrama
A young orphan named Amiro lives alone in an abandoned tanker in the Iranian port city of Abadan. He survives by shining shoes, selling water, and collecting deposit bottles. Although he sometimes finds himself at odds with both adults and competing older kids, he finds solace in dreams about departing cargo ships and airplanes—and by running.
HarmonicaHarmonica · 1974
Harmonica
★ 7.01974
MovieDrama
Set on the southern coast of Iran, "Harmonica" begins as a young boy receives a musical present from abroad. Fascinated and envious, his friends make him the leader of the pack, as they compete for the privilege of holding the harmonica or even blowing a few notes, until the games and horseplay begin to take on a sinister edge.
CutCut · 2011
Cut
★ 7.12011
MovieDrama
Shuji is an uncompromising young filmmaker at odds with Japanese society. One day he learns that his loan shark brother, who had helped to finance his films, has been executed by his own yakuza gang for failing to repay his debts.

Filmography

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A, B, C... ManhattanA, B, C... Manhattan · 1997
A, B, C... Manhattan
★ 5.01997
MovieDrama
Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.

Director