Dietmar Schipek

The third part of Neuwirth's [ma] Trilogy.

The filmmakers seek out experts and amateurs in the field of the supernatural and ask them to explain the methods by which they make contact with the "cosmic information web". In their search for "units of sense" in the chaos, the researchers use, interestingly enough, those techniques which are presently central to popular culture - de-construction, sampling and scratching.

A personal audio-visual notebook from Tibet (1988-95). The everyday things, the breathtaking light, the enjoyment of the common, the second look, the love for the detail, memories.

Slow-mo video art piece shot in Japan.

In the year 2700, a comic book artist encounters a mysterious alien while seeking revenge against the pyromaniac who burned down her printing presses.

Somewhere in a subtropical country white visitors crowd around dark-skinned plantation workers emptying their harvest baskets. They look curious, as if wanting to test the quality of the tea leaves. Everywhere tourists take out their cameras ­ whether in front of large animals in the wild or camel riders, whether in the face of decorated human bodies or daily work routines. Now and again they look into the camera themselves. For later, for when they will proudly show their 'exotic' finds at home. This posing contains a model of western travels and picture making which is over a century old. The fascinated gaze on the foreigners fixes them in pre-formed frames. Lisl Ponger follows the trail of that gaze by taking amateur found footage material and linking it together in new ways.

Film ist. 1-6 is an avant-garde collage from Gustav Deutsch, using found footage from various scientific films to explore the properties, impact and nature of film.

In a black-and-white comic format three characters are tossed from life into death and back again into life. They flourish in the chaos of androgyny; they cultivate their perversity as if it were wealth.