Mathieu Genet

David Zimmerman, almost 40, is a photographer but no one knows it. When friends drag him to a wild party, he spots a woman in the crowd and can’t take his eyes off her, he follows her… A few hours later, David wakes up: he’s in the body of the unknown woman.

A movie director does a new film against heroin consumption, and the producers are heroin dealers.

I wake up gagged, hands and feet tied. I can see the clouds go by through the window. I'm in the back seat of a car. Who is this man driving? And where is he taking me?

A filmmaker inside Gaza. Another locked out, trying to reach him and failing. What begins as an attempt to make a film across distance turns into something much more immediate—an unfolding record of life under constant attack, captured from within. Through Suhail’s camera, we follow children who are still studying, playing, joking, and holding on to some sense of normalcy as drones circle overhead and evacuation orders fall from the sky. The film moves between these lived moments and the fragile process of making the film itself, building a structure that is constantly in motion. What makes it land is not just the urgency of the subject, but how it is told. The film is immersive, heavily verité, and driven by strong editing that keeps you inside its world. It does not rely on narration or emotional pressure—it lets the experience build on its own. By the time it reaches its final moments, you are no longer watching from the outside. You have been inside it the whole time.

Arthur is invited to a New Year's Eve party to celebrate the year 2000. His girlfriend Lucie would like a baby from him but he refuses. Through the ceiling of the toilets, he discovers a passage leading to this futurist Paris. There, he meets an old man Ako who affirms he is his son and that he wants to exist. Otherwise he will vanish into the air. Arthur is still hesitant because his life is an unfulfilled one: a has a little lucrative job, is uncertain about his future and things are getting out of hand when Ako discovers the passage and interferes in the party.

Every day, we eat and breathe tiny plastic residues. What effects does this insidious contamination have on our bodies? Rigorous and lucid, this scientific investigation gathers the most recent discoveries and sounds the alarm.