Manuel Witting

Due to the accidental death of Pichler Bauer his wife Ilse, Granny Burgi and especially the youngest daughter Anna are suddenly alone on the mountain farm. Contrary to expectations and traditions, Anna inherits the farm. A well considered decision of the father: For Anna wants to stay mountain farmer, to preserve the inheritance of her father. In contrast to her mother and her uncle. In order to receive her father's farm and to be able to cope with the heavy and exhausting work, Anna hired a Bosnian guest worker, a Muslim, as a servant. They manage to continue the successful business on the farm.

The art restorer Henriette Frey moves from Vienna to Krems to live with her friend, the musician Ferdinand Sternheim. At a vernissage, Ferdinand introduces her to the gallery owner Hartmut Ille, who proudly presents the up-and-coming painter and new star in the art firmament Hubertus Krajczik. But Krajczik's up-and-coming career soon comes to an abrupt end.

Alma Mahler's affair with the young architect Walter Gropius sets in motion a marital drama that forces her husband Gustav Mahler to seek advice from Sigmund Freud.

In 1989, Jenny Ecker, an 18-year-old daughter of an entrepreneur, flees from Hildesheim to the east - out of love. The teenager has fallen hopelessly in love with an East Berliner. Jenny’s parents are foaming from wrath and offer a reward: One-hundred thousand, later even a million, deutschmarks for whoever brings them their daughter back. The prospect of so much money gets east and west into quite a disarray – and in the end, the Wall really falls.

When Katharina got an unexpected letter from her son Hans announcing that he was getting married and that he and his fiancé Nicki were leaving Berlin to come visit her...

The tumultuous and adventurous life of Michelangelo Merisi, controversial artist, called by Fate to become the immortal Caravaggio. A violent genius that will dare to defy the ideal vision of the world imposed by the Renaissance painters. A provoker that scandalized patrons and institutions, raising the altars the outcast figures he knew so well: drunkards, vagrants and prostitutes.